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Sunday, 18 December 2011

Much Anticipated Joe Jusko Sketchbook Announced: Second in a series!



New York, NY- The much anticipated second Joe Jusko Sketchbook from Eva Ink Publishing is in the current/upcoming Diamond Catalogue, and is available for ordering either via Diamond or via Eva Ink Publishing (www.evainkartistgroup.com)

“Joe Jusko: Maelstrom” is a lush 48 page, full color book, and showcases works by Jusko not featured in any other sketchbook or artbook! A great follow up to last year’s book “Joe Jusko: Savage Beauty.”
Jusko is undoubtedly one of the best known Fantasy, Pin-Up and Comic Artists in the world today. His career has spanned over 30 years, starting with the sale of his very first cover for Heavy Metal Magazine in 1977 at the age of 17. Since graduating that year from NYC’s High School of Art & Design, Joe has worked for almost every major comic book publisher, producing hundreds of images for both covers and interiors.

His work has appeared on paperback book covers, calendars, posters, t-shirts, toy packaging and innumerable trading cards, most memorably the multi award winning 1992 Marvel Masterpieces Trading Cards. The popularity of that set has been credited with initiating the painted trading card boom of the 1990′s, and led to his groundbreaking 1995 Art of Edgar Rice Burroughs trading cards. Those 125 paintings have made him the most prolific Burroughs artist ever, producing art based on almost every major book by the famed author. He is currently the cover artist for the “John Carter of Mars” series.

In addition to his work at Marvel over the years, Joe has produced art for many other companies and characters, including DC Comics, Crusade Comics, Innovation Comics, Harris Comics, Wildstorm Comics, Top Cow Productions and Byron Preiss Visuals, to name just a few. He has produced storyboards for ad agencies and advertising campaigns for such notable clients as the World Wrestling Federation, where he designed the art for the 1991-1992 Royal Rumbles and Wrestlemania VII.

His recent work includes monthly painted covers for Dynamite Comics’ adaptation of Edgar Rice Burroughs’ WARLORD OF MARS, covers for VAMPIRELLA and a 4 issue WOLVERINE/HERCULES minis series as well as numerous independent publishers. His 2005 fully painted graphic novel based on Lara Croft, the heroine from the Tomb Raider video game series, won a Certificate of Merit from the prestigious Society of Illustrators, into which he was inducted in 2007. His hardcover “Art of Joe Jusko” book was released by Desperado Publishing in May, 2009 to rave reviews, and “Savage Beauty” his first in a series of hardcover sketchbooks from EvaInk Productions was released as of November 2010. He’s currently developing a graphic storytelling property with Steve Niles’ (author of “30 Days of Night”).

His work has earned him myriad awards and honors, including two “Favorite Painter” Wizard Fan Awards, multiple trading card awards, a Golden Lion Award from the Burroughs Bibliophiles (previous recipients include Frank Frazetta and Boris Vallejo) and a Chesley Award nomination for best cover in 2001.

Joe’s original paintings are held in collections worldwide, a fact that never ceases to amaze and humble him.
This new sketchbook on this prolific painter, “Joe Jusko: Maelstrom” is available in two editions:
Signed Edition: $39.99
ISBN:978-1-4675-0474-4
Sketch Edition: $124.99
ISBN:
978-1-4675-0475-1
The print run is limited to 1,000 copies.
Contact us at: evaink@aol.com for more details. Payments are accepted via paypal or via credit card when ordering directly from Eva Ink.
For more information, feel free to drop us a line. And if you don’t own “Joe Jusko: Savage Beauty” yet, ask about acquiring both books, and receive a 10% discount via the Eva Ink store.
www.evainkartistgroup.com
and
www.witterstaetterwrites/blogspot.com

Sunday Sermon: On Books And Stuff And Why I Am Really Quite Normal





If I so much as mention Bigfoot/Sasquatch or even unknown sea creatures to people I meet I get that look.  You know the one -a slight wry smile with that look of "he seemed quite normal earlier!"

But then, if I go into a sudden lecture on history I can get the same look -or worse.  An acquaintance once telephoned me and asked what I was "up to?"  I replied: "I'm currently re-reading Julius Caesar:Man, Soldier & Tyrant by J. F. C. Fuller-" before I'd even finished there was the laugh, though it was quickly followed by a "Well, I shouldn't be surprised really!"

I am not just interested in the "established" history. I am fascinated by the “Lost” history.  For instance, that Irish sailors reached the Americas long before the Vikings and many others.  Bristol was one of the most important ports in Medieval times and our founding father traders had secret sea route maps but where did Bristol merchants get their maps?  Why are pineapples depicted in Ancient Egypt and also in a mural at Pompei –they are New World fruits in the Old World?

Then we have all the lost technology from the past (do not even as a joke mention “Ancient Astronauts” to me.  Man is creative and inventive and we do not need to pull aliens into everything from the building of the pyramids to the Easter Island heads (we know through archaeology how these were built).  Al Andalus (or Andalusia) was ruled by “The Moors” for 800 years after moving into the Iberian Peninsula around the 8th century.  They quite literally re-introduced civilisation to Europe. Mathematics, astronomy, philosophy, architecture and even medicine was far more advanced than that in the rest of Europe –people travelled to Al Andalus (where religions were not in conflict) to learn these skills.  What the Spanish later did in their Reconquista was set Europe back hundreds of years.

There is so much to learn out there and when people say “Who cares –that’s in the past!” I just have to look at them and ask why they are alive!

But then we have those old questions regarding ghosts, demons and the like.  According to the church it has not yet decided upon the ghost and ghostly.  Now, if after over 2000 years of Christian religion, full of ghostly events and practically based upon some ghostly events, hasn’t yet decided it is only because it simply just has not bothered or, even more likely, coming upon events it cannot explain it decided that it “never happened” or to talk about it is “blasphemy” or might incur the attentions and mischief of the Devil so “be quiet”.  The Devil –another Church creation that doesn’t appear in the Bible.

Growing up you hear things. I once lived in a house in St. Werburghs, Bristol, where the back room overlooking the Mina Road Park had a very weird feeling.  As kids my brother, Peter and I had this as our bedroom.  I have never ever slept well and so I got used to the huge glowing eyes looking in through the window at night (an owl) and how things mysteriously moved about the room during the day (windows left open during the day and a jackdaw popped in –I caught it one day moving things and I don’t know which of us looked more surprised!).

But the room had a very strange feel and it was where I had my first hypnagogic event (a waking dream): the dark silhouette of a traditionally dressed witch with full high pointed hat –I even through a book at ‘her’ as she moved past the bed.  My gran did wonder why the book was on the floor when she came in to wake us up in the morning.  My mother and father had this bedroom at one point but my mother flatly refused to stay in it –even during the day she would not go into it unless someone was with her and she never said why.
One morning we heard a “thump” and my gran and parents rushed upstairs to the room in question.  My brother had been knocked out having hit his head on the ceiling. “He must have been bouncing on the bed” was my fathers explanation: yet we had not heard a sound before which we should have done had he been bouncing on the bed.  Also, which I realised even then, he must have been performing Olympic style leaps to hit the high ceiling!

Eventually, a lodger, Fred, moved into that room. Within three years or so he was taken to a mental hospital but we had all realised this was inevitable –sadly, people deteriorating mentally is no rarity.  Then the new lodger moved in.  Derek was young, bright and breezy and had no trouble with “the room”.

I could go on and on but throughout my formative years I encountered one thing after another that some might call “ghostly” –witnessed just by myself or with others. Our home in Knowle, Bristol, had thrown up a few oddities and one evening we were sat around and I looked at the Christmas decorations as the latest “event” was mentioned. On TV someone was talking about “the devil” so I said: “If the devil exists let him pop a red balloon!”

“Bang!”

A red balloon popped.  I thought it was hysterically funny.

Even in Germany the ghosts and ghostly kept popping up.  So, that I was reading books by Elliott O’Donnell, Harry Price and others by the time I was thirteen should not surprise anyone.

One day, after school, I went into the Greystoke Avenue Library, in Southmead, Bristol, and looked through their “Older readers” section.  In those days, if under 16 you weren’t really allowed to venture over to the adult section but the librarians let me.  I had read most of the paranormal/ghost books but saw two I had not read before.  I was in a hurry and on leaving the library discovered I had accidentally picked up a copy of Brisley Le Poer Trench’ The Flying Saucer Story.  I was annoyed. I could not take the book back until next day (lending policy).

On that day I read The Flying Saucer Story and much more than forty years later I’m still suffering the results of that read! It was only later that I heard from my parents that before I was born they had been on the farm in Germany and seen a large ball of light (UFO).  So it was fate!

 


And wildlife. I have never had a problem in this area.  While in Sevier Street, St. Werburghs, I looked out after a Summer rain shower to see an approximately six inches (15 cms) long caterpillar of some type –it was literally covered in long, fawn colour hair so it looked like a long mop.  It moved up the wall between the outhouse and coal shed and to this day I have never been able to identify what it was.

In Germany, while collecting wood for the fire in woods just outside Dalborn, my father about six feet ahead of me with the wood-cart, there was a sudden silence. I turned to my left to see a young fallow deer, a true “bambi”, looking at me curiously. Some ten feet (3m) beyond it, in amongst the trees, stood the mother also looking at me. This lasted some time before we all mutually moved off.

My grand mother had lived in Dalborn since the Second World War but had never seen any hares.  She was a bit miffed when I returned from a walk to describe watching groups of hares and even hare ‘boxing matches’!

When I was a bit older I did walk through the forestry and hear an odd noise. I looked down and saw wild boar piglets and at that point I broke into a cold sweat because I became aware and then saw the sow.  She stared at me as I slowly moved away, walking backwards and not taking my eyes off her.  She never charged me.

On one holiday, as a family, we went with our grand-father to pick dandelions for his giant rabbits.  The route was a familiar one to us –out through the farm orchard, down the tractor path and then along a basic road between cornfields and the forest. As we passed a tree stump a good few feet from the forestry my grand-father casually mentioned that the stump was where he had seen “the sturm-geist” (storm ghost/spirit). Now, Opa had suffered a stroke so his vocabulary was good but not great –he was still “re-learning” full speech.  The storm ghost had an ugly face and was covered in hair and when he saw it the beasty leaped from the trunk and into the forestry.  “It sounds like a chimp or monkey of some kind” I said.  Opa smiled that smile: “No. We don’t have monkeys here.” I thought “We don’t have monkeys but we do have storm spirits!”  Of course, Opa was probably thinking “He thinks we have monkeys in the forest?”

Opa had been alone that time but when we were all together on the rough track one day, right next to where the sturm-geist had been seen, he said “Look there!” All we saw was a glossy black, hair-covered back leap into the coniferous forestry. If you’ve seen black furred/feathered creatures you’ll know that in bright sunlight the fur/feather has that sort of brownish, even purplish glint.  So did this beasty.  I rushed forward determined to see what it was but the forestry was so wild at that point I could only get five feet ort so –but we all heard it crash through the branches of the trees.

My cousin later threw almost an hissy-fit as we explained the event.  I have no idea why he was so vehement in his dismissal of the sighting.  His explanation?  It was a “fishing bird.” I was puzzled having never heard of a “Fishing bird” –I found out it was a cormorant. I’ve seen so many cormorants over the years (we have them in Bristol) that I know it was not that we saw.  And besides, our critter was leaping not flying.

On another occasion I observed what I thought was a badger emerging from forestry across some fields.

 
Everyone, including the local ranger, assured me that there were no badgers in the area. A few nights later I got up to go to the bedroom window because it was hot and sticky and the midges were being noisy pests. I heard a noise in the flower bed, about three feet (90 cms) below the window.  I looked down and there, looking up at me, was what for all the world looked like a fluffy black fox with white facial markings –almost raccoon like.  I tried to reach for the camera at my bedside that had a flash on it and trying to do so without taking my eyes off the critter.  My hand knocked the camera and I tried to grab it –when I turned back the animal was gone.

Next day..there was that look again in amongst chuckles as I explained what I had seen. I was dreaming it seems. No such animal existed. Alright, now I knew what people reporting a UFO or Sasquatch felt like!

Back in England I went through all my books and –there it was.  Fluffy black fox with white markings!  But it was not a fox, rather it was a raccoon-like dog which is a rather primitive wild canid that can hibernate and they were kept by fur farmers before escapes in the 1930s and, of course, during the war.  I had seen one the furthest west they had moved (though that was not known at the time.
Next year I took the book and showed everyone I could in Dalborn.  Not a single odd look just the very, very annoying response of “Yes. You saw one –so what?”  I was sure this was a conspiracy.
So you can imagine I thought everyone considered me a nut-case.  However, one day my aunt said to my mother: “Ask Herr Professor if he wants coffee.”  I looked around and she was looking at me.  I had no idea up to this point that the family called me “Herr Professor” or that some of the locals were also referring to me in that way.  Apparently, my constant nose-in-books, asking questions and checking everything from insects, unusual plants and animals out had earned me a reputation!

The books, of course, varied.  I had been introduced to Brinsley Le Poer Trench (later Lord Clancarty) and his outlook on “flying saucers” and I had read of Price and O’Donnell and their ghost hunting experiences.  My big heroes were later added to: Major Donald E. Keyhoe and his take on the flying saucers and Ivan T. Sanderson who covered many topics but then, he had travelled and lived in much of the world and seen and investigated much.  Sanderson had introduced me to underwater UFOs (USOs), the Patterson-Gimlin film and, with Abominable Snowmen:Legend Come To Life, set me on another avenue of study.

I corresponded with George Haas of the Bigfoot Bay Area Group, Dimitri Bayanov in Russia on the Almas and many others covering subjects from hairy hominids, sea creatures, UFOs, ghosts, astronomy, aeronautics and beyond. I investigated my first UFO when I was around 15 years of age and joined many different UFO groups –I even famously fought with two Men In Black characters on my doorstep (quite a few witnesses).  I have chased (on foot) UFOs at Warminster, on roof tops, along roads -and nearly crashed twice.  I never ever understood why people wanting to find “the truth” just stood on the spot not daring to face the phenomena face-on.

The same applies with ghosts or even unusual creatures: you do not endanger yourself but you don’t just stand there saying “Well, that was a mystery wasn’t it?”

And those over-sized “coffee table” books full of photographs and full colour illustrations did not help.  “Is this true?” I’d ask myself.  How could I trust some stranger who just wrote this account or offered a photograph without checking it all out myself?  Sadly, those huge books are a thing of the past to a degree.
But when I kept being asked about my “officially unofficial” UFO work, or my work as a wildlife consultant to UK police forces and so on I got fed up.  I decided to put it all (well, some of it) in writing.  Some Things Strange & Sinister was my look at ghosts, poltergeists, UFOs, local and world-wide mysteries and, where-ever I could I gave an explanation.  Explaining something away is not being a sceptical debunker.  Only after you’ve looked at all the possible explanations can you say this was a hoax, that was misinterpretation or, sorry Charles Fort, that never happened.

Dead aquatic creatures washed up on UK shores as well as on Tanzanian shores. Alleged ‘mermaid/man’ carcasses and so much more.

I could, like others, just sit back and say this was all real.  No need to disbelieve. An easier life by far but then that would mean believing that real flying saucers had crashed at Aurora and Roswell. I’m not that dumb. No, I have to look into these things.

In some cases it has taken 20, 30 and even 35 years to get to the bottom of an event/case but to me that is worth it. Now I know what the facts are. And I need to point out that I am not a “Cryptozoologist”, a “Ufologist”, a “Fortean” or any other pseudo-ologist!  I am a naturalist/researcher-investigator.  That’s it.
When I wrote my second book, Some More Things Strange & Sinister I put together a lot of what I had learnt as a naturalist, historian and researcher-investigator.  From gorillas in the UK before they were actually scientifically discovered, primate historical mysteries and oddities, tales of all sorts of wildmen from the United States, England and Europe.

I looked at the mystery of a strange city said to appear in Alaskan skies each year.  Unlike other writers and ‘researchers’ over the years I went out and found the quoted source and the oft-mentioned photograph of the city-in-the-sky.

The so called “Girt Dog Of Ennerdale” which, in 1810, killed sheep and was eventually killed.  Everyone has written on it in the “mystery big cat field” or in cryptozoology and Forteana.  It’s been a werewolf, a vampire beast, a hyena a UFO creature of some kind and even a tiger, lion or a Tasmania thylacine (the current cryptozoological favourite explanation).  I went out and got the, again, oft-quoted sources and found that there is no great mystery and definitely no big cat or thylacine. The facts are in the original sources.


The Beast of Gevaudan –again, so many silly explanations but going back to original sources and corresponding with the French natural history museums, the explanation is clear –and there are later incidents correlating with “the beast” events.
Sea creatures and so-called “flying light wheels” emerging from the sea, the Great Serpent of Carthage, mystery snakes and so much more and all pulling together everything I have learnt since I was a child.


The Red Paper: Canids covered Ennerdale but also the natural history of foxes in the UK from the point where they were going extinct through to mass importation of foxes for hunting.  Wolves roaming the British countryside long after they became extinct here, jackals, coyotes, arctic foxes and much more –the hunts, where they came from and cases never before reported on.  One naturalist called it “an explosive book!” 
I try to make each book, no matter what the subject matter, interesting for the reader whether they are UFO or cryptozoology buffs or simply curious.  Photographs, maps, charts and much more, though sadly, the idea of full colour plates is way to expensive. To think. To learn and enquire into the strange, the unusual or even history is what makes us humans.


Before I shift off this mortal coil I want to pass on this information and keep delving into things that grab my attention…and try to carry on earning some kind of living!

Long winded, I know, but it tells you something about me. 

I really am quite normal.





Saturday, 17 December 2011

A Mid Summer Nights Dream -Christmas Present??


Something for the Christmas book list??

There is one thing that I never really have to write but, as some of you newbies out there may not be familiar with Classical Comics, I shall.  The quality and production on Classical Comics books is always of the highest standard.  Despite some of the previous editions having been thoroughly thumbed through and facing the ravages of the conditions in the Black Tower, they have neither fallen apart nor been creased/torn as lesser books might be.
Firstly, the presentation.  The cover is so scrummy and eye-catching and the colour! Believe me, covers are a pain in the bottom (heh heh) to get right.  If this one does not attract a lot of attention then I give up.  Could Titania look any more alluring than she does on the Plain Text cover?!
John McDonald has done a superb job in adapting the Shakespeare play into a graphic novel format.  The problem when adapting plays or even old text stories into comic strip form is that it can be hard.  Can you leave in every scene with full dialogue? Well, there is Original Text which actually answers that question.  John deserves cream buns and several pots of tea for this (I’m sure he’ll prefer the pay-cheque,though).  So, John –thumbs up!
Jason Cardy –aka:The Wild-Maned Welsh Marvel, was interviewed on CBO and you can find out how he works here:
http://www.comicbitsonline.com/2010/03/18/jason-cardy-transforming-wizard-of-wales/
Kat Nicholson, who seems far too nice to be involved in comics, was also interviewed on CBO and between Jason and her interviews you can see how they work together:
http://www.comicbitsonline.com/2010/03/17/kat-nicholson-having-a-mid-summer-nights-dream/
I think it fair to say that neither has ever worked on anything like this before.  A full 132 pages graphic novel in full colour for a hellish, slave-driving perfectionist boss like Clive Bryant!  I’ve asked a few artists, mainly more experienced ones, what their reactions would be if presented such a challenge?  Most said it would be a challenge but they were long-time comic hacks.  There was still that tone in their responses; Cardy and Nicholson are not long standing professional comic artists so how on earth are they going to do this book –could they?

The truth is that they have drawn the book and the result is a pure joy. Lovely artwork, lovingly rendered scenes and more faery-folk than you could find in Cottingley (oh, just google it).  It makes reading Shakespeare fun and I’ve baulked at reading any more Shakespeare after 1980 (yes, I’m that old).  Shakespeare has always had that stuffy reputation and it has been hard for non-Shakespeareans to work out what is going on and to picture scenes. Not any longer.
Nicholson and Cardy have made a book that those into faery lore will want to get, and I know that there is a major market for books connected to that subject.  Hey, maybe a few cosplayers will start dressing up as characters from A Midsummer Night’s Dream?
If the Shakespeare adaption collectors are out there…get your kids interested in the Bard via these books!  They won’t even realise it’s educational!
I think that, if you are a parent and want something with substance for your child to read then the Quick Text version of this book is perfect.  You can even go the whole parent-child reading class way with this.
Of course, as with most of the Classical Comics books, their use for education has so many possibilities.

There are a lot of pupils now in education from non-English backgrounds so if English born kids are having difficulty with Shakespeare—!  I think these books are perfect.  Everything is broken down into eye-catching pictures so that clothing of the period, buildings and so forth become clearer. The three text versions should work at different educational and age levels.
Remember: there is a Teaching Resource Pack available.
There are also the text features looking at Shakespeare, the Globe Theatre, a history of the play and how the pages were drawn. It is a complete package.  And as none other than the great Sir Derek Jacobi writes:
“Classical Comics is truly inspirational, creating an accessible and fascinating mix of visual and audible drama.  The stage and the page brought vividly to life.  Highly recommended for any student of Shakespeare!”
And Sir Derek frikkin Jacobi wrote that!!
Schools need these books.  Theatre students and set design students need these books. Public libraries (if they aren’t all closed down) need these books.  Families need these books to start their own little home library.  Apart from standing naked and screaming this on the M5 can I make it any plainer?

I think it was Olivier Cadic of Cinebook who said that I was “Evangelical” about European comics and their promotion in English.  Well, yes. But I’m also quite passionate about Classical Comics and what Clive Bryant is doing.  People were laughing when I told them there were graphic novel adaptions of Shakespeare coming out and they looked great.  “Who the **** is going to read a Shakespeare comic?” was the response, along with a prediction that both Classical Comics and Cinebook had drastically mis-judged the UK market and would be gone in a year.
Who is laughing now?
And, personally, I do still remember the Greenway Secondary Modern Boys School play of A Midsummer Night’s Dream.  Disaster. It was a very rough school so asking “who wants to be a faery” didn’t go down well.  And telling the school thug that he was “Bottom” and the grief he got…I remember the big school fire of ’72!




A MIDSUMMER NIGHT’S DREAM
William Shakespeare
“The course of true love never did run smooth;”
Shakespeare’s best-loved play, A Midsummer Night’s Dream endures as an obvious choice for outdoor theatre on a warm summer evening. The marriage of Theseus to Hippolyta serves as a backdrop to tangled loves, amateur dramatics, and an argument between the Fairy Queen and King, Titania and Oberon, with events spilling over from their Fairy Kingdom into the real world of the forest.
Script Adaptation: John McDonald
Characters & Artwork: Kat Nicholson & Jason Cardy
Lettering: Jim Campbell


Publication Date: UK: February 2011
US: July 2011
Format: 144 pages
full colour
paperback
246x168mm
Versions:
(click here for info)
Original Text (full and unabridged)
Plain Text
Quick Text
Cover Price: £9.99
A Midsummer Night's Dream - Original Text A Midsummer Night's Dream - Plain Text A Midsummer Night's Dream - Quick Text
British English Language Versions
British Editions (Cover price £9.99, pub date: Feb 2011)
Click here for an explanation of the text versions
Original Text Version
ISBN: 978-1-906332-89-1Click here to preorder from:amazon.co.uk
Plain Text Version
ISBN: 978-1-906332-90-7Click here to preorder from:amazon.co.uk
Quick Text Version
ISBN: 978-1-906332-91-4Click here to preorder from:amazon.co.uk
American English Language Versions
US Editions (Cover price $16.95, pub date: July 2011)
Click here for an explanation of the text versions
Original Text Version
ISBN: 978-1-907127-28-1
Plain Text Version
ISBN: 978-1-907127-29-8
Quick Text Version
ISBN: 978-1-907127-30-4
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NEW!! Cinebook recounts – The Wright Brothers






Authors: Lefèvre-Garros & M. Uderzo
Age: 10 years and up
Size: 21.7 x 28.7 cm
Number of pages: 48 colour pages
Publication: November 2011
ISBN: 9781849181006
Price: £5.99 inc. VAT

This third volume recounts the Wright Brothers, who invented the modern aeroplane. The brothers made the first controlled, powered and sustained heavier-than-air human flight on 17 December 1903 and, in the two subsequent years, they developed their flying machine into the first practical fixed-wing aircraft. Although not the first to build and fly experimental aircraft, the Wright brothers were the first to invent aircraft controls that made fixed wing flight possible.

If, like me, you are interested in early aviation pioneers and their assorted “heavier than air” machines then this one has to be for you.  For goodness sake –it even mentions Otto Lilienthal (even if it is only in passing  -though not a mention of John Stringfellow)!

The text/story by J.P. Lefevre-Garros is spot on: entertaining and fun!  Marcel Uderzo is incredible in drawing the early flying machines and events around them –I can’t find anything to complain about.  And the colouring works really well –colouring by  Monique Ott by-the-by.

This is a great gift book for birthdays or..oh –Christmas! Even for schools where some good history needs teaching.  Cinebook may have had to drop the “Biggles” name from the cover but it was quite obscure anyway.

“Cinebook Recounts” is turning into a great series and this volume is just lush!


Yakari and the Coyote





Authors: Derib – Job
Age: 6 years and up
Size: 21.7 x 28.7 cm
Number of pages: 48 colour pages
Publication: November 2011
ISBN: 9781849181013
Price: £5.99 inc. VAT


When the beavers bring Yakari a battered old canoe, the young Sioux and his friends repair it and go for a little trip—and find more adventure than they bargained for, in the person of a father coyote. Fortunately, their new friend is up to his reputation for cunning: When Buffalo Seed is cornered by an angry puma, it will take all of the coyote’s tricks, combined with Yakari’s bravery, to get the young hunter out of his predicament.

Okay! Okay! I saw this and threw my arms in the air in resignation. At my age (which, if I were a dog would make me Methuselah –seriously) reading a kids comic. Yeah, I just realised the irony in that. Anyway, legs not willing to work I sat down and opened up this particular Yakari adventure.

Actually, this is quite good.  I don’t go in for the cartoony cute art but is was no problem.  I loved the fact that this turned into good old Indian native american?  First Nations myth and legend. At first when you see the coyote you think “Oh, please -this is 2011 -’evil’ coyote?!”  But no! And you find you are reading a far more sensible book.  Things do get into full swing as both Yakari and his friends and the coyote then engage in a rather cat-and-mouse  escape from a puma.

This is great stuff from, as I wrote, a more sensible and realistic portrayal of wildlife right down to the coyotes tricks.  Kids will love this.

And my big question is this: WHY did we have to wait so long in the UK to get anything that kids and parents can read together? It always makes me smile grunt (gotta keep up the old git image) when I see the Cinebook tables and how families will check out the books together.  I think for that alone Olivier Cadic needs to get an award.

Wonderful stuff and as a Christmas book it ought to make the young uns smile!




NEW!! XIII v.10: El Cascador




El Cascador
Authors: Vance & Van Hamme
Age: 15 years and up
Size: 18.4 x 25.7 cm
Number of pages: 48 colour pages
Publication: November 2011
ISBN: 9781849181020
Price: £5.99 inc. VAT

Captured and imprisoned in the Roca Negra fortress, XIII is being tortured by the sinister Colonel Peralta. But, for all his pain and suffering, he’s also in the same building as Maria, the woman who may be his wife. And they have plenty of dedicated, resourceful friends outside… as well as at least one traitor. Still unsure of his past, Jason McLane will have no choice but to become the man known as “El Cascador” to clean up Costa Verde once and for all.

Well. Really all I need to write is: “Van Hamme and Vance” and that tells you everything.  Of course, I must not leave out the colour work of Petra which is so ***** brilliant –look at that first page and the toning of the scene using colour (I really wish I worked in colour at times!).

We’re up to volume 10 and I’m glad this one arrived before Christmas because I was hanging on by a thread after the last volume (it happens as you get older).  The cover looks great but does not prepare you for what is inside where the action really starts –as does the murder and double –even triple- dealing.
I’m just typeless over what else I can write. 

This is the business as far as a good action, espionage thriller in comic form goes.  WHY can’t we do something like this in the UK?? (Don’t get me started).

I’ll award it 25 out of 10 because I can!


The Boys – The Big Ride (Vol. 9)





Titan Books
Garth Ennis, Russ Braun, Darick Robertson, John McCrea
Dimensions: 258 x 170 mm
Paperback: 288pp
Publication date: 25 November 2011
ISBN: 9780857689368
RRP £16.99
‘Adults’  Only


Let’s get to the synopsis:

“The Boys Volume 9 collects three separate story arcs, including the momentous issue #50, with bonus pin-ups and interviews! In issues #48-51: “Proper Preparation and Planning” – With Hughie absent, Butcher re-examines the Boys” first encounter with the Seven, trying to figure out what went wrong.

But first there”s some disquiet in the ranks to be dealt with, not to mention the return of an old and unexpected enemy who finally, incredibly, has come into his own. Meanwhile, on the Seven”s floating headquarters, a flying lesson goes badly awry… In issues #52-55: “Barbary Coast” – Hughie travels out west to finally meet Lieutenant-Colonel Greg Mallory, the man who started The Boys.

All kinds of secrets await our hero, beginning with the terrible story of the first supes to see action in World War Two. When the revelations cease, will Hughie return, or walk away from the team forever? In issues #56-59: “The Big Ride” – The countdown to the end begins, as Jack from Jupiter takes one step beyond… or does he? Hughie’s triumphant return is not all he’d hoped for, but Butcher has bigger fish to fry. And The Boys meet the mysterious Doctor Peculiar…”

To be honest there are some nice art styles here but the material is just …I can’t find any redeeming features.  I know there are a lot of Garth Ennis fans out there and when I last reviewed The Boys I think the child-like abusive comments that followed from fans spoke volumes.

I just find this stale, almost juvenile –even the, uh, more than obvious “homage” to Marvel Comics The Twelve (“Barbary Coast” part 2).  I’m sure many will buy this collected edition and, sadly, isn’t that just what it is about?  As one comic editor once said after making it clear he’d sue if I ever gave his name: “It’s shit. They’re (customers) the piggy-banks.  We sell ‘em sugar-coated shit and they buy it cuz we tell ‘em its great!”

Ah, just go buy but remember “other trade paperbacks are available” from Titan.

Tina’s Mouth: An Existential Comic Diary



Tina’s Mouth: An Existential Comic Diary
Keshni Kashyap (W)
Mari Araki (A)
Hought Mifflin Harcourt
256 pp
hard cover
ISBN: 978-0-618-94519-1
$18.95 also available as an ebook
available 3rd January, 2012

From filmmaker Keshni Kashyap comes the story of a high school heroine –funny, wise, and reminiscent of Persepolis’s Marjane Satrapi — negotiating an existentially trying spring semester at her Southern California prep school.

Sophomore Tina Malhotra is a wry and endearing observer of the cliques and mores of Yarborough Academy and the foibles of her Southern California intellectual Indian family. After an English honors class assignment to keep an existential diary, she’s on a first-name basis with Jean-Paul Sartre. She looks to the great philosopher for help when Alex, her best friend and longtime smart-girl ally, dumps her for a new group — with whom, per Tina, “Alex could discuss slutty clothes and cheesy poetry.”

Weekdays eating lunch alone on her Bench of Existential Solitude and a little nudge from her hippie teacher drive her to make decisions that will change the course of her semester…and lead her to her first “technical” and real kisses.

Kashyap’s smart and funny graphic novel illustrates the tricky world of high school while wrestling with those bigger questions. In TINA’S MOUTH, our heroine contemplates her place in the world, what a heavenly and mysterious expanse might be, and what it all means on her path to enlightenment — all before the spring formal.
Now how do I, and I’m sorry to keep going on about my age here, at a youngish 50 something, review a book about adolescence?  Well, I wondered whether anyone else had reviewed the book who might be younger and have a better insight (though I am in touch with my feminine side)?

Amazon reviews were rather damning.  Amazon critics reviews are known for over pretentiousness at the best of times.  So its all “showed promise” and “ultimately disappointing”.  Seriously?  These people need to try and put a book like this together and see how hard it is rather than write pointless drivel (I’ve no idea what started me “off” there).

The book is what the book is. I kept thinking of the movie Ghost World though I can’t think why. It was an interesting read and some nice art –this is not a comic book/graphic novel in the usual sense.  I think female readers, whether adolescents or not, will find the book interesting.

I did wonder, though, why on the last page is scrawled “Die Camus” –I can only think it refers to The Myth of Sisyphus which is a philosophical essay by Albert Camus –why I know that I have no idea, sweeties, but go look it up, I think it’s relavent.

Overall, a nice read and would make a good movie –but what do I know!



About The Creators
Keshni Kashyap






Raised in Los Angeles, Keshni Kashyap studied literature at Berkeley and film at UCLA.  Her films have been screened in more than forty festivals around the world.  Tina’s Mouth: An Existential Comic Diary (Houghton Mifflin Harcourt) is her first book and a collaboration with Los Angeles-based Japanese painter Mari Araki. Kashyap lives in New York and is at work on two new projects.  She is also an occasional contributor to the Daily Beast.




Mari Araki was born in Tokyo, Japan and raised in Ishikawa, a suburb of Kanazawa. In 2005, she graduated from Art Center College of Design in Pasadena, California. She currently lives in Southern California, with her cats Nade, Nini and Rock.

Friday, 16 December 2011

THANK YOU!

Wow! For all of you who pop by can I say Thank you!   The hit counter is so high that the Stats Graph couldn't cope!!

THANK YOU.

Thursday, 15 December 2011

Comic Bits Online: Joe Simon October 11, 1913-December 14, 2011

Comic Bits Online: Joe Simon October 11, 1913-December 14, 2011: By MATT MOORE, Associated Press – 7 minutes ago PHILADELPHIA (AP) — Joe Simon, who along with Jack Kirby co-created Captain Ame...

Joe Simon October 11, 1913-December 14, 2011


Joe Simon 3.JPG

By MATT MOORE, Associated Press – 7 minutes ago

PHILADELPHIA (AP) — Joe Simon, who along with Jack Kirby co-created Captain America and was one of the comic book industry’s most revered writers, artists and editors, has died. He was 98.
Simon’s family relayed word of his death Thursday, posting a short statement on Facebook and telling The Associated Press through a spokesman that the 98-year-old Simon died Wednesday night in New York City after a brief illness.

“Joe was one of a kind,” said Steve Saffel of Titan Books, a Simon friend who worked with him on his recent autobiography, “Joe Simon, My Life In Comics.”

Saffel said that Simon, born in Rochester, N.Y., in 1913, “lived life on his terms and created incredible things in the process. It was a privilege to know him and to call him my friend.”

Among his creations was a partnership with comic book artist and illustrator Jack Kirby. The duo worked hand-in-glove for years and from their fertile imaginations sprang a trove of characters, heroes, villains and misfits for several comic book companies in their Golden Age of the 1940s, including Timely, the forerunner of today’s Marvel Comics; National Periodicals, the forerunner of DC; and Fawcett, among others.

The characters the two created included the Newsboy Legion, the Boy Commandos and scores more, including Blue Bolt.

“Blue Bolt was the first strip Jack and I worked on together, beginning in 1940. He was a science fiction swashbuckler I created for Curtis Publishing, the company that put out the Saturday Evening Post,” Simon told The Associated Press earlier this year. “They had decided to jump on the comic book bandwagon. Jack joined me with the second issue. Like Captain America, Blue Bolt got his powers from an injection, long before the baseball players were doing it.”

For Timely, the duo created Captain America, debuting on the cover of “Captain America Comics” No. 1 in December 1940 with the champion of liberty throwing a solid right-hook at Adolph Hitler, an entire year before the United States entered World War II.

“Jack and I read the newspapers, and knew what was going on over in Europe. And there he was — Adolf Hitler, with his ridiculous moustache, high-pitched ranting and goose-stepping followers. He was the perfect bad guy, much better than anything we could have made up, so what we needed was to create his ultimate counterpart,” Simon told AP.
“Cap is one of the great comic book icons, and as dangerous as the world is today — more than it was in the 1940s — we need him around more than ever to act as our moral compass,” Simon said.
Mark Evanier, a comic industry historian and Jack Kirby biographer, noted that Simon, besides being able to write and draw, also knew how to edit comics.

“Joe himself was the first great real editor who brought to comics skills he’d learned elsewhere and had some perception of how to put a magazine together and how to make a professional looking publication,” Evanier told The AP on Thursday. “He had some business acumen. He knew how to talk to publishers, he knew how to make deals.”

He also knew the market, Evanier said, noting that Simon, along with Kirby, plunged head first into creating horror, crime, humor and romance comics in the aftermath of World War II.

Simon said earlier this year that creating the romance comics was a high point for him and Kirby because they “negotiated to own half of the property,” something that had been an uncertain prospect in the industry.
“I’d like to think that we showed today’s comic book writers and artists how they can do more than just make a living producing comic books, and hold onto the fruits of their labors,” he said.

Simon is survived by two sons, three daughters and eight grandchildren.

Follow Matt Moore at http://twitter.com/MattMooreAP
Joe Simon 2.gif

Tempus fugit

Happy Krimbo From The Krah!


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NEW From Time Bomb Comics: DICK TURPIN AND THE CRIMSON PLAGUE



DICK TURPIN AND THE CRIMSON PLAGUE
Time Bomb Comics
Steve Tanner (W) Graema Howard (A) Nikki Foxrobot (L)
US Size (B4)
56 pp
black & white
Perfect bound
£6.99  UK    $11.99 US
TBC: see blog roll (http://timebombcomics.com/index.html)

The blurb:From the hanging tree at Tyburn to the pleasure houses of Pall Mall, there’s only one thing standing between notorious highwayman Dick Turpin leaving 18th Century London to return to the open road – a nest of vampire prostitutes eager to spread their Crimson Plague!

THE LONG AWAITED SEQUEL TO THE CRITICALLY ACCLAIMED ONE-SHOT DICK TURPIN AND THE RESTLESS DEAD FROM TIME BOMB COMICS


Now I ought to point out that “Restless Dead” is still available.  I need to also point out that, other than myself a few years back, no one had bothered with Dick Turpin as a comic book character in the last 20+ years -other than Steve Tanner.  Now with the favourable write-ups about TBCs Dick Turpin comics, I have heard from three different people about how they are going to use Dick Turpin in their new books and the promises of twists and use of the character outside of his regular “legendary persona”.
Really. I call it jumping on the band-waggon.


You can see my review of “Restless Dead” (which was picked up and carried by many international comic blogs) here:

http://www.comicbitsonline.com/2010/05/27/stand-and-deliver-dick-turpin-and-the-restless-dead/

How do you describe this “Crimson Plague”?  Well,it begins with the hanging of Dick Turpin.  No kidding. Dick Turpin hangs (check the art below).  We then follow Dick and Tom as they prepare to take in the sights and attractions of less-than-fragrant London.

First come the Cloyers (that is 1700s slang for robbers but you knew that -right?) who are swiftly and violently dealt with.  Turpin and Tom (Barnfield?) are portrayed as not being averse to over the top violence. You need to remember that this was a very nasty period in time in which even children were hung for stealing an apple.  Life was very cheap so it was, as John Lennon once said: “Do unto others before they do you!”
So, what next? A night of merry quoffing and whoring. Nothing changes does it? 

It is now that things take a turn for the weird and deadly.  Their quoffing partner Justice Hopkins decides to “pleasure himself” with a young lady -and ends up dead.  But later they find the Justice who seems alive..well…dead and alive.  The two highwaymen soon find out that they are not just in any old house of ill-repute but one infested with vampires!

Can Dick and Tom escape? Is this all a flash-back as Turpin hangs???
Buy the book and find out!

It might just be my mindset because of current work but I read this as though it were a one-off  TV horror drama.  It would work.  That aside the story is good and I can see Tanner developing Turpin into a Time Bomb Comics main character.  Howards art works very well with the story and lots of cross-hatching and solid black use that never looks out of place.

Add to this the good lettering of Foxrobot, the glossy paper used AND the Rogues Gallery of pin up pages and this is one for the collector/comic fan.  Miss out and don’t buy a copy and you’ve only yourself to blame!
10/10

Diamond Preview  order codes are:
DEC112169 – DICK TURPIN AND THE CRIMSON PLAGUE GN
DEC112170 – LONDON CALLING GN
Also, Forbidden Planet International are offering both books at 31% discount if they are pre-ordered through their website that’s a 31% discount!!!


Thorgal: The Invisible Fortress –The BEST Yet!!



Thorgal – The Invisible Fortress
Authors: Rosinski & Van Hamme   Colour work by Graza
Age: 15 years and up
Size: 18.4 x 25.7 cm
Paperback
Number of pages: 48 colour pages
Publication: December 2011
ISBN: 9781849181037
Price: £5.99 inc. VAT

Still travelling with Kris of Valnor, Thorgal runs afoul of a local tribe. When a mysterious old woman offers him a chance to escape the hostile villagers, he accepts. But there’s more to the bargain: She says that if he can make his way into the Invisible Fortress, he’ll be able to erase his name from the Stone of the Gods, cancelling his destiny—and finally have a chance at a normal life.

What more can I write that I have not written before regarding Thorgal. Rosinski and van Hamme say it all.  Except this time van Hamme has outdone himself!  Thorgal stumbles and fights his way into and out of the Invisible Fortress during which Kris is killed by an arrow.  When I got to the end I just sat there saying “What…the…??”  I read it again.

Thorgal has absolutely no idea who he is, has no knowledge of his past and Kris..well. This one really surprised me with its ending and I’m now chewing my nails to see what happens next. Top marks on every aspect –story, art, colouring and whammying Terry’s brain at the end.