Someone asked about an article I had written on Atlas Comics (NOT the pre-Marvel Atlas!). I checked and, as is Bloggers way, images are gone and so, for you -my peeps- I am up-dating and re-posting here along with some links to the other Atlas postings here.
Enjoy.
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Some thirty-five (thirty-five??) years ago I was living in a caravan between Ramsgate and Margate, Kent. Don’t ask why –hush-hush-
but it got boring. Walks down to look at the Hoverport and the very
noisy hovercraft coming in and out, Listening on a little transistor
radio to pirate radio Mi Amigo and shopping trips into Ramsgate.
I picked up a few very cheap comics but not much since there ain’t that
much storage space in a caravan! I walked into a newsagents next to
Woolworths in the High Street. There were comics I had never seen
before –Atlas. Hang on, wasn’t that a former Marvel Comics name? Had
they gone back to using it? I grabbed a bunch of the comics and itsy
bitsy teensy-weensy brother Mike (Knowle Order) and I hoofed it back
home.
Turned out this was
not Marvel. And the characters were almost British in their anti-heroic way.
Firstly, there was
Tiger Man (alias Dr Lancaster
Hill). Dr Hill was working at a medical clinic in Zambia when he
injected himself with the chromosome that gives a tiger its strength and
speed and it transforms him. Dr Hill now has abilities on a par with
the great cat. Dr Hill returns to New York City he meets up with his
sister, pleasant enough? Oh, come on –this is comics! Dr Hill’s
sister is shortly thereafter robbed and murdered by two criminals
working in a rodeo. Adopting the identity of Tiger-Man, he tracks them
down and kills them. Tiger Man’s gloves also sport razor sharp claws
–very pre-Wolverine or even my own Celtic hero the Badger.
In the black and white
Thrilling Adventure Stories #1, the
gore factor is much higher –the criminal boss he goes up against is
eaten by piranhas! I think I re-read this Ernie Colon fest several
times the first day.
As I recall, Brother Mike giggled.
I love Tiger Man and at least his origin is not as odd as the UK Tiger Man’s!
Then, of course, there was The Tarantula. Or, as he
was known before he went all arachno, Count Eugene Lycosa. A European
nobleman, an ancestor, was cursed by a witch burned at the stake. This
cursed passed from generation to generation making them
“were-spiders.”
The 1970s Count Lycosa would transform into the
were-spider but tried everything to avoid taking innocent lives.
Instead he focussed on the worst criminals and all that entails. “Oh, a
Spider-man rip-off!” you say. Uh-uh; as The Tarantula Lycosa was a
predator and would eat human victims.
And Pat Boyette was the artist –I just don’t think it could have been
any better. I’d been a Boyette fan due to his Charlton work. This was
all exciting stuff.
More “Ernie Colon really rocks!” came with the story of Matthew
Dunsinane, an infamous highwayman in colonial America in the 1740s.
Dunsinane hid his identity behind the mask and persona of the Grim
Ghost. However, after robbing the coach of Lord and Lady Braddock in
1743, Dunsinane’s luck ran out when the beautiful Lady Braddock is lured
into a ”honey-trap” and he was captured and unmasked. Just three
weeks later he is hung by the neck until dead…then the story really
picks up.
For Dunsinane’s sould went straight to…HELL! And there he is met by
the Fallen Angel himself. Old Nick. Behel—oh, you’ll know all that.
Anyway, Satan offers Dunsinane a choice of suffering in pergatory for
all eternity or, here it comes, he can return to the world of the living
and harvest evil souls for him. Hmm, red-hot pokers up the jacksy for
all eternity or…? Dunsinane chose to harvest evil souls.
And so, Dunsinane finds himself in 1970s New York where Satan thinks he
can make a good start in his Grim Ghost persona and riding a jet-black
flying horse and carrying a brace of spectral pistols off he goes.
Oh, Satan apparently has a black sense of humour. Dunsinane is forced
to work with non-other than the treacherous harlot Lady Sarah Braddock!
Boo! Hissss!
His greatest foe was the demon Brimstone, who sought to topple Satan and rule Hell in his place.
The usual anti-hero action was underway when Dunsinane found himself in
the middle of a Hellish uprising. The demon Brimstone wanted to
topple Satan and looked in a strong position and made some interesting
offers. The Grim Ghost sided with …SATAN!?! I know. That’s what I
thought. Can you believe it?
Man, I still take those issues out every-so-often and Colon’s work just looked..luscious.
Above: The New Grim Ghost
Wulf The Barbarian and the origins of the character are explained by The Atlas Archives thus:
“”…On a nameless world in a forgotten time…” there lived a man called
Wulf. Orphaned 10 years ago when his parents, the king and queen, were
slain in an ambush staged by trolls in the service of an evil sorcerer,
Wulf has spent the last decade training for the day he would return to
claim his birthright.
Above: The New Wulf! Below: The New Phoenix..
After his trainer/mentor is killed by the same troll who killed his
mother 10 years earlier, Wulf avenges his mother’s death, reclaims his
father’s sword from the slain troll, and begins his long awaited trip
home. As Wulf rides homeward with the intent to raise an army to raid
the evil sorcerer’s lair and free his hereditary kingdom, he encounters
many magic-induced obstacles conjured by his foe.”
Above the New Phoenix
More of a sci fi character to start with was astronaut Ed Tyler -
The Phoenix.
After months on board the Threshold I space station, the three-man
crew were forced to abandon ship after an airleak. The escape shuttle
made a three-point emergency landing (Here, There and Everywhere!) in
the Arctic –Tyler was thrown across the ice and near death. However,
Tyler was saved from freezing to death by the Deiei, an alien race that
had been monitoring mankind for years from within a secret hidden base
in the frozen north. This was no real act of kindness since the Deiei
feared that a rescue party might discover their presence.
Tyler awoke to find himself a prisoner rather than a guest and the
truth was soon revealed to him. The Deiei, it seems, had been involved
in the evolution of the human race but had become ashamed at the
failings of humanity –war, etc.. So what do a bunch of self-righteous
aliens with a god complex decide to do? They planned to quite literally
wipe the slate clean by destroying humanity. Tyler could not be
allowed to go free and expose them, the Deiei planned to keep him
captive for the rest of his life. However, as such pains-in-the butt
aliens tend to do, especially when they think
they are
superior, they ruled Tyler to be harmless and left him unguarded. The
resourceful astronaut managed to steal a space suit and arm himself with
“atomic transistors” –and then he made his escape.
Tyler reached the nearest human population centre which happened to be
Reykjavik, Iceland, hours later. Here he discovered that the Deiei
were causing the very earth beneath the city to collapse using nuclear
particles. No self-respecting human could just stand back and watch so
Tyler raced back to the alien base to stop this attack. The Deiei were
having none of this interference and especially not from a human using
their technology. It was the ensuing fight which set off an nuclear
blast that destroyed the aliens’ headquarters. Tyler then returned to
Reykjavik to help the survivors and it was here that the media dubbed
him the “Phoenix,” risen from the ashes of the city. Meanwhile some
Deiei survivors, and they were
really teed off and swore revenge; they would kill Tyler and then destroy the human race.
Tyler -The Phoenix- was attacked by a Deiei spaceship a short while
later, a distraction of sorts (if such superior entities felt they
needed one) as the main force of Deiei craft headed for New York.
Phoenix survived the attack and learned of the learned of the armada and
headed off to intercept it. After a fierce battle the alien Deiei
fleet was destroyed and Phoenix was triumphant (oh, and New York was
saved, though I’m guessing that you guessed that, right?).
Tyler then had to think about his newfound role in life –he was now a
protector and example to mankind. He decided to lead humanity from the
evil path the Deiei predicted they would follow. Tyler dedicated
himself to saving Mankind as The Phoenix
Then The Phoenix became…The Protector and got a more super-hero style
costume. Why? Well, he was not the only character to adopt the super
hero style but the change in this case involved more aliens. Tyler
felt guilt-ridden about the near destruction of Reykjavik and New York
and basically breaking down since he felt Man had no chance to
survive the further onslaught of the Deiei. He decided to fly into
space and commit suicide.
Tyler awoke to find himself aboard an alien space station. He was
badly burned and his face swathed in bandages, he was not a happy bunny
as he was taken to meet his alien rescuers. This time, however,
things were not so sinister. The aliens called themselves the
“Protectors of the Universe” and had been behind the Deiei monitoring
of Mankinds development. This race was also disappointed by Mans
development but unlike the Deiei, bless them, they were willing to give
us a chance.
The alien leader, the Magus, declares that Ed Tyler would be solely
responsible for Mankinds shot at redemption. Tyler is given new powers
and a new face and given the name of The Protector before being sent
back to Earth to redeem mankind or it would be destroyed. Two-faced
aliens!
Phoenix/Protector was not as anti-hero or gorey but there was, as far
as many were concerned, a controversial aspect. Helping to save Man
from evil, dying and being resurrected to help redeem mankind…holy –!
Ed Tyler was Jesus-like!! That argument still continues today
amongst fans old enough to remember the series though that period also
spawned another “saviour” in comics –Marvel’s Warlock!
But there was also
The Brute,
The Destructor and
Morlock 2001 and the barbarian
Iron Jaw. Lesser remembered characters but still great were
The Cougar, Dark Avenger, Demon Hunter, Manstalker, Scorpion and the
Bog Beast.
But who or what was Atlas Comics, or Seaboard Periodicals. The UK had
no really wide-spread fanzines back then so it took a while to filter
through. The Atlas Face Book pages cites Wikipedia:
“Atlas/Seaboard is the term comic-book historians and collectors use to
refer to the 1970s line of comics published as Atlas Comics by the
American company Seaboard Periodicals, to differentiate from the 1950s’
Atlas Comics, a predecessor of Marvel Comics. Seaboard was located on
Fifth Avenue in Manhattan, New York City.
Marvel Comics founder and Magazine Management publisher Martin Goodman
left Marvel in 1972, having sold the company in 1968. He created
Seaboard Periodicals in June 1974 to compete in a field then dominated
by Marvel and DC Comics. Goodman hired Warren Publishing veteran Jeff
Rovin to edit the color comic-book line, and writer-artist Larry Lieber,
brother of Marvel editor-in-chief Stan Lee, as editor of Atlas’
black-and-white comics magazines. Lieber later became editor of the
color comics following Rovin’s departure. Steve Mitchell was the comics’
production manager, and John Chilly the black-and-white magazines’ art
director.
Goodman offered an editorial position to Roy Thomas, who had
recently stepped down as Marvel Comics editor-in-chief, but Thomas
“didn’t have any faith in his lasting it out. The field was too shaky
for a new publisher.”
You can find the Wikipedia entry here:
http://en.wikipedia.org/wiki/Atlas/Seaboard_Comics
The Atlas Face Book page is here (though there is little there):
http://www.facebook.com/pages/AtlasSeaboard-Comics/108428865848131?sk=info
The best place to go on the net is The Atlas
Archives which has a fuller history and explains why the Atlas logo was
altered to be less “up yours, Marvel!”:
http://www.atlasarchives.com/articles/history.html
The Atlas Comics initial logo design as featured in The
Comic Reader #111, though it was later modified to less of an “Up Yours, Marvel!” approach.
Courtesy of Mike Friedrich
(Source –
Comic Book Artist #16)
The less “Up yours Marvel” logo used:
John B. Cooke also wrote a terrific article on Atlas for Comic Book
Artist #16, which you might find near impossible to get in the UK/Europe
but the item “Vengeance Incorporated” is reprinted on The Atlas
Archives site.
I have the new books on order and Tony Isabella is back to writing
comics! These I will be reviewing and I just hope they stay true to the
characters origins back in 1974/1975 Atlas Comics and their dark
anti-heroes were 10-15 years ahead of their time. The company was
setting out to do what DC did years later with The Dark Knight Returns and The Watchmen. For some reason I’m anxious to see these new versions and how they pan-out.
I hope this is good.
I may even keep my fingers crossed that the original books are brought
together in a collection because the comics I have won’t suffer more
thumbing-through!
Various reasons were given as to why Atlas was so short lived in the
1970s but I hope this incarnation continues much longer…if they are
good!
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Well, to be honest, only the new Wulf incarnation seemed to work. With The Phoenix a good few fans, myself included, got fed up of the character dying and coming back to life: "Oh he's dead! Oh, he's alive again! Nope he just died...again....zzzzzzzzzzzzzzz
The Grim Ghost was NOT the Grim Ghost.
We're a petulent lot, us comickers.
But Atlas Unified was the "Big" cross-ver. There was a NY Comic Con Trash-can edition. Then issue 1 with some awful art. Issue 2....some awful art and please don't ask about the script. Then issue.....uh, yes, well, it never got beyond issue 2.
There were so many delays and I had a hell of a fight trying to get a standing order in one comic shop and had to go to another to find that the previous comic shop had been talking balls. "The issues are probably not going to appear now, according to the distributor"....so WHY did I find the issues in the other comic shop?
Ass-holes.
I just was not impressed but then it was explained to me that these were NOT the original characters but (prepare to vomit) "reboots"! ARGH!!!! You can see how I go from positive to downright disappointed through these links:
The thing is that I have been submitting ideas for these characters for a long time. I know us comickers have a certain mind-set but if you are going to revive "much-loved characters" then do not ******* change them so that they are NOT those "much loved characters"!
If you can get hold of the issue of Comic Book Artist (I'm sure there is a pdf online) you can read about the ins and outs of the original company. BUT this is 2014 and surely a company can approach the creators and say "Hey -we'd like to bring the old characters back -how about it?" Explain the financial situation -some of the old pros might still be willing to contribute art.
The point is that there is no reason WHY a new Atlas should not talk to the creators. There is no reason why The Brute, Tarantula and other characters could not be revived BUT in their original forms -the "much loved" ones.
There's an itchy-fingered writer/editor around here somewhere that would be interested, too!
But pipe-dreams are pipe-dreams -right?
