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Wednesday, 28 October 2026

Dodgem cars, Marrows and Stone Monuments

 Well, it seems I opened a can of worms withthe Anglo-Marvelman-Marvel deal. It's very complicated BUT it appears Anglo did not own the rights to the character. Let sleeping dogs lie (but maybe an article for Comic Bits 5?).


Anyway, reading Marvelman 358 was fun. "Marvelman In Blackpool" is aboutr as British as you can get...apart from a story about stolen marrows.  Don't get me wrong because I have had my characters duke it out with someone in Weston-Super-Mare as well as the Cheddar Gorge, Bristol Downs and mt Cabot's Tower and the Bristol Suspension Bridge.

I was shocked back in the late 1980s when the German publisher of Watcher magazine hadno idea about Externsteine...he even had the name re-lettered as "Extern Stein". I think it is important that if you are producing a story based in Germany or Britain that you at least know the places you intend to include.

Or is that just me?

One person asked me a few years back: "That looks exactly like Exztersteine and Herman's Denkmal -how do you know about those?"   Well, my family ion Germany lioved in that area. We referred to the monument as "Oncle (uncle)  Herman" and, well, I am 54% German so I know my German history!

Yeah, getting too serious about locations is boring and takes you away from the marrow stealers and dodgem cars -rather like the fun of the Narri Narro festival in Germany in the past.

Just enjoy fun comics.

Merriwether Not All Monsters Are Evil

 




Tales of Terror 6

 



 56pp

A4

Black and White

£10 UK (outside UK check store for cost)

https://www.lulu.com/shop/terry-hooper/tales-of-terror-6-2026/paperback/product-gjzzjv7.html?page=1&pageSize=4

Contributors: Terry Ford, Darron Northall, Terry Hooper, Ben R Dilworth

The Annual Black Tower feast of Horror is here! The Reverend Merriowether ("God's Demon thumper") faces evil in two tales: Bastet and Varney the Vampyre! Will the Right Reverend succeed in his goal to wipe "the horrible things" from the Earth? Lady Silana, Tarot, Kotar and Sabuta combine forces in the now legendary mini epic: The Curse of the Lycanthrope" but fear not if one epic story was too little from his monastery retreat Ben R Dilworth brings us three tales of lycanthropy: Wolf. Werewolf and Wolf: Scream Life and what more could you ask for? Oh, a peek into The Black Files of Q Bureaux? An old case from 1898 maybe? Okay, babies you got it! All tales introduced by Black Tower's own stalwarts in the fight against vampires, werewolves, demons and...we'll not mention the psilocybin mushroom tea. Really.



NEW COMIC BOOKS RELEASING OCTOBER 28TH 2026 MARVEL COMICS PREVIEWS COMING OUT THIS WEEK #comics

 


NOT in comic shops

Pierre Labbat

22 pages

Black and White

£8.00

https://www.lulu.com/shop/terry-hooper/charcoal-1/paperback/product-84m9ee7.html?q=&page=1&pageSize=4

Labbat is back!

Charcoal is a long awaited new book written and illustrated by the mystery comic pro people are guessing about but never guess right. Then again if you held up a photo of him people would still look blankly and ask "Is it...."

Charcoal is a classic drawing medium made from carbon It lets artists create deep blacks, soft shades, and bold lines. It is great for quick sketches, portraits, and big landscape drawings. Why am I telling you this? To show of that I did art at some point in my life and I wanted to0 show off dammit!
"Footie is Life" "Corporal Religion" "Angel's Share" and more. ("more" is NOT a clue....?) For lovers of street level Independent comics and zines this one is for you!




Story Terry Hooper-Scharf

Art Terry Hooper-Scharf, Thorroe Prey, P. Beard, Tomas Scharf
Pages
188
Binding Type
Paperback Perfect Bound
Interior Color
Black & White
Dimensions
A4 (8.27 x 11.69 in / 210 x 297 mm)
£15.00 UK  see online store for outside UK price

https://www.lulu.com/shop/terry-hooper/black-tower-super-heroes-the-ultimate-game/paperback/product-95d9z68.html?page=1&pageSize=4

 The mystical traveller of the realms, The Thinker, meets a stranger while travelling along the Path of Counter Actuality. But this stranger is a different type of traveller: he is Illuyanka and he has been charged with on sworn duty –to destroy specific Earths in the multiverse.

Finding that Illuyanka is partial to gambling the Thinker risks all by challenging him to a cosmic game pitting heroes against various challenges: they lose then their Earth dies. The Thinker has no doubt that with all of his knowledge he can win. But Illuyanka is not what he seems.


A story that throws in as many super heroes and villains as you could ever want plus an Earths parallel crossing storyline that will have you wondering who the real bad guy is!





Sunday, 25 October 2026

FRIDA GOLD - BEWEIS feat. JUPITER JONES (OFFICIAL VIDEO)


 

Let's Incite Snoring On A Sunday Afternoon

 


I hate boring people so let me just point out that the 35 Year Rule used by Skinn re Marvelman was used widely in British comics going back to the 1940s (although it was not called such back then).

If you have seen any paperwork contracts between L. Miller and Son and Mick Anglo let me know -if you have copies. Long boring story.

Jerry Siegel created and wrote a lot of characters during the 1960s. He had what one might term a "bad experience" with a company over one of his characters once. Can you guess which one?  Certain characters from the 1960s in British comics are clearly his.  I know for sure that The Spider involved a contract with Amalgamated Press and as Gil Page put it "Everyone was excited that the man who created Superman was working for us".  Even after 46+ years with Amalgamated, Fleetway, IPC and Fleetway again, Page had seen few contracts as "everything was considered what the Yanks call work for hire".

A lot of documentation may have been transferreed to the secret warehouse the company kept for storing art, etc. but I was told (Page plus others at Fleetway in the 1990s) "apart from financial records you'll bve hard pressed to find anything else" -sell off after sell off made that all very easy.  One thing you had to do as a writer with Fleetway was send in two copies of your script. I once asked why two?  "To prove to accounts someone had genuinely done the work" and the stories that followed that statement were an eye opener!

I should note that even though I own my characters I put in writing, going back to 1988, that the artist OWNS their artwork and can sell it or whatever (just not make a comic out of it).

Even sales figures were, uh, "adapted".  Rather like the "sell or return" scheme arranged with distributors -it was a massive tax dodge.

If anyone out there has examples of contracts (not invoices) with any UK company from 1939 on please let me know because as a comic historian I am interested and 40+ years od f searching I have not come up with any and I recall the late Denis Gifford responding to my quest with "Oh, good luck on that one!"

Saturday, 24 October 2026

Characters -It Seems To Be My Night for Notes!

 There is a two part strip (the whole work would have been six parts) that no one other than three tight lipped people have ever seen. It is, however, legendary: Outlaws of the Urban Forest.

It was created in the early 1980s and set in the 21st when a mystery disease had wiped out a lot of the world's population. Yeah, I saw Covid 19 coming if you didn't😎 basically the world had fallen back to a near Medieval period. Later parts of the story would flash back to "The Red Star" and Middle East wars which led to the total breakdown of society.



In England one man's life was almost following the legend of Robin Hood. A resistance (as in rob people with wealth for your own purposes) formed around him and so the story progressed. I mention this as someone asked elsewhere how modern comic creators would treat characters from myth and legends. Almost all the ideas were very -VERY- derivative of TV shows and movies and one wasliterally The Dark Knight storyline featuring an old pulp character.

For me the fact that thses characters are legends or myths means that is all you need to know. "Hey, these characters were loved in the 1960s so let's bring them back -just change them so they are not what made them popular!"  The UK and US have prime examples of this. You should know what I am talking about. The same things apply to cult movies and TV shows.

Heracles is Heracles and Thor is Thor. Gilgamesh is Gilgamesh and these, and many others, have had their stories last thousands of years and they are still popular. Put them in super hero suits .... no.  You can feature these characters in stories without messing them up -Gilgamesh turned up for a cameo in Return of the Gods -as did the Monkey King. Really, each writer should have a good enough creative brain to be able to adapt such characters to modern events.



Rather like British Platinum, Golden and Dark ages comic characters I do not suddenly make them cold, dark killers or having dirty secrets.  I just add to their historic stories and in some ways it really works well. Take Krakos the Egyptian; I never found his origin story but I read all of the strips (Swan the publisher could not even remeber him) and gave his back story. Twenty or so years later (actually more than 30 years!!) I found the original story and it tied in so well with what I wrote that it was claimed that I must have seen the origin story!

I read as many Iron Warrior strips as I could and buying the albums featuring the stories cost a lot of money but I was correct based on what I had learnt before that, far from Alan Moore and other 'knowledgable' comic writers claims; Rodney Dearth the IWs creator was not a "son of the empire" out to suppress native peoples and gain as much wealth as possible -in the strips he is the complete opposite.

You need to know your characters and stay true to what they have always been while introducing them in new stories.  

Marvelman -some notes

 


I've had some conversations with a few old comic peopl;e about Marvelman/Miracleman since my last post on the subject. It does not really matter sincle Miracleman is NOT Marvelman and I think that was part of the deal betyween Anglo and Marvel. His pure fun character was not to be this nasty dark character.

As it is written in the comic history books when National (DC) sue Fawcett over Captain Marvel (Shazam) and the character's likeness to Superman Fawcett stopped publishing Leonard Miller and his son, Arnold, were in a bind since the Captain Marvel comic was a good seller. What they did was ask Mick Anglo to create a similar character to take over. Now contracts in comic companies were few and far between -Gil Page when starting out at Amalgamated Press was excited to be carrying a copy of the contract with Jerry Siegel who created The Spider for them and even in the 1980s no contracts were given out). Anglo designed and created Marvelman and that was it.

Now, when Anglo was getting out of comics he was known to have sold the character (I am not getting into an argument on British comics and copyrights!). I was told Samuel Assael (John Spencer) "was said to have purchased the character" -interesting since Samuel (rather like Gerald Swan) was not keen on comics which is why my deal with him was quick and cheap.  Others thought Alan Class (Class Comics) might have purchased the character but he only dealt with US reprints and had no interest in new material.

The best company that seemed far more likely because of their publishing output was Top Sellers. I was told in the 1980s that they had "agreements" with Anglo but never specified what exactly -it was why, when I saw Warrior magazine in a newsagents I asumed it was a Top Seller book.

Really, it comes down to Marvel purchased (contract not specific) Miracleman from Anglo. Unless you were in a company at the time when Anglo "sold" Marvelman, in which case I would love to hear from you, the actual goings on will never be known.

The Origin of D-Gruppe

 https://dgruppe.blogspot.com/

 According to my DNA test I am 52% German (who would have guessed?) and 16% French which makes me more German than English and more French than English (don't tell the immigration service!).   I was living on a farm in Dalborn -a tiny village somewhere between Lemgo and Detmold, Lippe- as a kid and that is where D-Gruppe originated. 

Externsteine

 Back in the mid-1980s when I finally got the first published story of Germanys first super hero team into print I was happy (only a momentary happiness but then -it was the 1980s!). I was far -far- from happy with my artwork. I had been drawing since "a toddler" I was told and never stopped drawing and later at Secondary school I taught others who wanted to try their hands at drawing comics just as a bit of fun. However, as D-Gruppe had been with me since I created them in the tiny village of Dalborn in the 1960s I wanted their first published adventure to look good.

Ben Dilworth looking over my newer pencils on one of his visits to Bristol offered to ink the pages. That was an offer I was never going to refuse!


And so was drawn The Revenge of the Ice Queen / Die Rache der Eiskönigin. There was a brief art preview in Zine Zone before the strip was published in the new comics talent comic Preview -which got a few UK creators their comic breaks. From there the strip was later published in Chris Dohr's Watcher publication in Germany which looked at pulps, TV, movies and comics -it has never been a secret that I hated the re-texting as even a national monument -Externsteine- was miss-spelt but comics is comics.

There is a secret about what D-Gruppes aircraft design was based on and I will tell you now..it's staying a secret!

As it turns out the Ice Queen was probably not responsible for "The Externsteine Incident" that took many lives and that was revealed during The Trial strip as featured in Black Tower Super heroes.  At one point the German company Bastei Verlag were very interrested in developing the D-Gruppe comic and I put in a lot of work and even had the vastly under-rated John Erasmus draw a full colour Deutscher Michael strip.








The final words of Klaus von Happe the diminuitive leader of D-Gruppe that they needed far more power in their ranks was where the story ended. The intention was to add characters in over the following stories but by the time Bastei had expressed their interest Ben was off to Japan and one after another "new talent" fell by the wayside or decided that having to draw more than five pages a month too exhausting and not what they expected (it involved work).

One thing the editor at Bastei wanted was a back-up strip and that was where multi-billionaire LeCorbeau came in. His life had been saved when Pete Forrest and Geni got involved in tackling the Crimson guardian (way back in the first Small Press run of Black Tower Adventure) and LeCorbeau decided that he wanted to set up national groups to deal with super threats (novel idea, right?) and so he went about setting up a new Task Force Europe after its betrayal by Mastermind and then came the South Asian Task Force and smaller versions in Europe combining into the world-wide Special Globe Guard. Anyway, before it gets too confusing, LeCorbeau wanted to set up Tasl Force Germany and Enrique and Santiago Ruiz produced some pages.



 Then Egmont purchased Bastei and...wave goodbye to a year's worth of work!

And so I set to work on drawing everything myself because there is only so long that you can keep things in your head before said head explodes. That meant that all the new members were introduced in a new story -Zeitgeist which had been drawn in the 1980s but what the heck.

To my mind something was always behind the events in Zeitgeist other than the entity calling itself that. But we got to see heroes from other parallels and some nice action scenes before the climatic ending (see D-Gruppe 1-4 or The Collected D-Gruppe). Once the story was redrawn and new text added and then published it was out of the way. Or so I thought.




I then woke up after...a ten minute long sleep (nothing new there) not feeling too good and I said outloud "Zeitgeist isn't dead!" Which is how I realised that my brain had once again been hiding things from me and thus proving that I was correct and not paranoid!

This time the action started below D-Gruppes HQ and we finally found out just what Zeitgeist was -"Maupassant" is a BIG clue! But even more was later revealed in The Green Skies as the story unfolded and I realised that several characters in unconnected books all had links to the menace involved. It's annoying when you sit there and think "I drew that years ago and its linked to this?!"




But before The Green Skies Ben Dilworth had returned to some D-Gruppe stories such as a one off Evangeline story, one involving David Holmes (the British lawyer now a dual British-German national and fighting crime as the Owl); one based in Earth Parallel 667 in which that D-Gruppe investigate a large "object" in space and then the much acclaimed "The Grandfather Paradox" and who knows whether he might return to our German heroes?



However, before the first adventure was published I had planned for the rather dark ending -alluded to by various characters including the Gipsy Sorceror Tarot. It is said that the first meeting between von happe and Waldmeister was "orchestrated" but by whom? In the last published D-Gruppe story von Happe is given an item and while everyone else is mind-swiped he knows what the item is for and when to use it.



In The Green Skies it is clear that Holmes and others suspect something is going on. That the predicted "Days of Darkness" are coming.  But von Happe vanished along with other team mebers while pursuing a UFO in The Return of the Gods so who knows what to do? And can whoever does know actually do what needs to be done when it means killing a member of their own team and a close friend?   

Black Tower Super Heroes 2/1: Werewolves

 


86pp

A4

Black and white

£10.00 UK 

https://www.lulu.com/shop/terry-hooper/black-tower-super-heroes-werewolves/paperback/product-84wwge7.html?page=1&pageSize=4


The Prof, investigator of the paranormal, encounters two werewolves in Castle Park...and Devilina who has a "sort of" message for him. Kotar, Sabuta, Lady Silana, Tarot and others deal with new werewolf activity and Dr Lycaon is granted access to the labs at the HQ of the explorer/adventurer group The Questors. Lycaon believes he is close to a serum that will cure the curse of lycanthropy but someone or something is trying to stop him. Meanwhile in space Freelancer delivers justice to the Central Galactic Council after its betrayal (see The Green Skies) and on Earth the equally treacherous Council of Light meets its fate. Will Lycaon succeed with his cure or does the increased werewolf activity even in the halls of one of the UKs most secret buildings indicate that the cure is too late?