And you can damn well count on a 6 feet (1.82m) tall, fluffy white rabbit going by the name Bunny Warren is sorting out crime and other "stuff"
Wait...the "Other bloke" became Captain Cosmic so....who is this ?! Any why does he look like Unkle tWistEd?
oh no.
Ben R, Dilworth
A4
Black and white
36pp
£10.00 UK (overseas check price via online store)
Alexander "Ally" Sloper is the eponymous fictional character of the British comic strip Ally Sloper. First appearing in 1867, he is one of the earliest characters in comic strips. Red-nosed and blustery, an archetypal lazy schemer often found "sloping" through alleys to avoid his landlord and other creditors, he was created for the British magazine Judy by writer and fledgling artist Charles H. Ross, and inked and later fully illustrated by his French wife Émilie de Tessier under the pseudonym "Marie Duval" (or "Marie Du Val";. The strips, which used text narrative beneath unbordered panels, premiered in the 14 August 1867 issue of Judy, a humour-magazine rival of the famous Punch. The highly popular character was spun off into his own comic, Ally Sloper's Half Holiday, in 1884. Ben R Dilworth has previously drawn Sloper for Black Tower but here he gets right back to what Sloper was all about and anyone familiar with Dilworth's work will realise that he is probably the only modern era artist who could do Sloper along with social commentary.
Yeah, what have I been doing since this morning? Yep, the mysterious Pierre Labbat (no one has worked out who he is yet?!) has produced a Black Tower/Penguinflight exclusive!
22 pages
Black and White
£8.00
Labbat is back!
Charcoal is a long awaited new book written and illustrated by the mystery comic pro people are guessing about but never guess right, "Footie is Life" "Corporal Religion" "Angel's Share" and more. ("more" is NOT a clue....?) For lovers of street level Independent comics and zines this one is for you!
Maybe do another selection of music next week? Never know. I mean, when is the future?
No Sponsors? Fewer Items Submitted for Review. No one want their stuff seen by a truly world wide audience?
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What was new here? Not a lot. In fact I am sure that the whole scene setting had been done before; gathering the team etc -similar to when Bendis took over?
Will I get issue 2? I will. But only to see if anything changes. Quite honestly almost every super hero in the Marvel universe is an Avengers member so it's a case of select by skills needed and get on with it. This does not leave me with great expectations for when the new Avengers series starts up.
We'll see.
I had a villain who had been mutated and one hero after another -one team after another- went up against him. He was unstoppable. Eventually nearly all the heroes were in wards in hospitals and the villain walked on. I came up with a solution on how to defeat him but it made me realise that if you have a villain that cannot be stopped what do you do?
I think that if you are at Marvel or DC you are in a mess. So many reboots and so much characterisation lost and what guides your comics lines? Movies. The movies inspired by the old style comics draw in audiences who could not care a jot about the comics but the long time fans either tolerate the latest reboot or gender swap or even outing of traditionally straight characters as gay or bi just to chase a phantom audience or those fans stop buying.
All characters are now sociopathic, killers or megalomaniacs -I never thought that the Black Panther would become what he has. Awful. Notice I do not mention the equally awful and racist Wakanda Forever movie -as we saw with the TV series Black Lightning, possibly THE most racist, "black" people can be racist but you mustn't say so. Let's not get into the whole TV show/movies debate here.
The movies are movies and NOT the comics universes...or that is how it SHOULD be. What threat really challenges the once great Avengers or Fantastic Four? Apparently only mega threats or ones that seem to lead down a very bland path and, in the case of the FF not helped by some really AWFUL artwork. The comics universes are places where nano tech, orbiting satellites, journeying to far off solar systems blah blah blah are so common you might as well say these are now not super hero books but sci fi comics.
I remember a time when the Black Panther tackled street crime and where the Avengers faced off big corporate businessmen involved in crime. You want to snatch that old ladies purse? Captain America is just behind you.... or the REAL Spider-Man is watching from a wall or roof top.
It has all become somewhat messy and unsatisfying.
Look at, as an example, Black Tower characters. On patrol or walking down the street and feeling peckish -pop into the local chip shop. Barbecues in the garden. Petty crime tackled on the streets BECAUSE the whole purpose of the heroes is to fight crime and protect every day people. Yes, there are major threats such as in Return of the Gods and The Green Skies but the characters still remain grounded in a "real world" -they are still flawed characters showing weaknesses and fear.
In Black Tower comics there is no scripting or planning out. I go from page 10 to page 11 and a character dies (and stays dead) sudden and brutal as real life. On more than one occasion I have argued with myself that a character should not die as he is a long time favourite and I try to think of ways around to stop the death but, in the end, the character died and that is it. Stan Lee once said that if there was not a REAL danger to the life of the hero then where was the characterisation and reason to keep reading? Death was permanent and if the character failed she/he or someone close to them would die. No convenient 37th reboot of the universe to get out of it...or cloning...or double from another Earth.
Roy Thomas knew how to keep things going from issue to issue and how to keep a group of drunks, drug takers or egomaniac creators in check (or try to between stopping some stealing original art!).. Jim Shooter was not liked because he wanted everything out on time and continuity to be a priority (that was before the 1990s when continuity no longer existed for Marvel) -he made a few mistakes but he saved Marvel by being in control and knowing what he was doing. When he was "let go" what happened? The rising sales under Shooter began to fall without him.
Is any of this making sense to anyone? I may well be rambling but it has been a long time since the last Sunday Sermon...and it's a Friday!
Any thoughts plase comment.
I know. I know. Last time I got criticism for my choice of "Which UK creators would I love to work on projects with" but these are MY choices.
Also, I need to maker it clear that I never wrote that I would not work with American, European or other comic artists. Some people thought that was what I meant.
This list was for purely British artists who, if I could ever even afford them (which I can't) I would have loved to work on Black Tower comic strips/characters. A "fantasy artists" list.
Firstly I think for the supernatural characters David Lloyd -but if my cranky old mind remembers must be in his 70s now so may have retired. Good artists should never retire -they don't in Europe.
Second; Dave Gibbons. Why that suggestion got a negative kick-back I have no idea. His Green Lantern Corps and Watchmen work shows he can deliver which is all one really needs to ask of an artist.
Here is one that people always look at me with wide open eyes over: Steve Yeowell. Yep, the artist on 2000 ADs Zenith strip and later did a US comic -Sebastian O? His Zenith style -as people pointed out- was very similar to Ben Dilworths and I was cornered at two Westminster Comic Marts and told to be honest and reveal Yeowell WAS Dilworth😂 Yeowell's style was still distinctive enough and I'll be honest and write here and now that at least three times a year I will get those Zenith books off the shelf (Phase 3 is my favourite) simply to treat myself to the art.
Who else? Jon Haward was always a favourite but as far as I am aware he retired after ill health, Alan Davis....well, d'uh! I think he has been somewhat miserably treated by comic fans in the past and in some part due to the lies of a certain less reputable comic writer.
Modern era? I can't seriously think of many. I was asked about David Gordon who drew Maeve for Eros/Fantagraphic Books). He has moved on so the final part of the Trilogy was never drawn and that would have been almost classical Greek mythology in the story. Story never been offered to anyone else since and never will.
Nope. I cannot think of a one! My inner voice is saying "You know -that one!" and "Think about that book from last year you reviewed" but all my brain is doing...click whirr...fart...click-click...
Come on then -who have I missed out?!
Here is a little factoid for you. Before his career kicked off Mark Millar wrote some text stories and one was published by Ben Dilworth under his Penguinflight imprint.
