Total Pageviews
Translate
Saturday, 3 October 2026
Thursday, 1 October 2026
My "Best" Artt?
I am infamous for hating all of my own artwork. Ben Dilworth once stated: "You will one day draw the best comic ever. Next day you'll look at it and say it's a pile of s---!"
He wasn't wrong!
Krakos Sands of Terror was once up for a cover of the year award. The reason it was withdrawn was due to the print on demand company I use losing a lot of data and that meant my cover was "not on sale" even though it was. I never worry too much about these things.
The character in a door way with a giant grasping hand about to grab him was "incredibly atmospheric". Let's not spoil that by saying it was not meant to be a giant grasping hand!
I think the cover works and draws the eye in and that is what a book cover should do. If I was going to re-introduce William A. Ward's character to a new audience after more than 70 years the cover had to be good. Of course, Ward's Krakis appears on the cover of Comic Bits 2
Come on -the Angel of the Burning Fire deservedsomething nice.
The same applied to anothjer Ward character The Bat (one of many bat characters from the 1920s-1950s). The character originallky appeared as a back up in Black Tower Adventures volume 1 but the story never concluded. I will not give away the story or what The Bat did but after he did it Lee Mondo wrote "What an utter cold b-----!" People who have seen the book, which ended with "in a church tower a Bat lies dying", have said similar and that the scene had such an effect is pleasing.
One thing about Ward's strips is that he worked in animation sothe strips are full of talking heads, static figures walking but some nice imagination used at points. So Krakos and The Bat had to be far more animated and be true to the original characters but what modern readers expect. As a copy of Krakos's origin was not found until after the Sands of Terror I had to improvise. My biggest surprise was finding that my origin was spot on with Ward's!
The Bat had a whole back story added including ancestral history. His beloved Stahlia was rather like a 1940s horror film set; witchcraft, Vampires, werewolves and even a Frankenstein. A neutral European Duchy that was occupied by Germans in WW2 the Soviets and then the hated Kamorans. The Bat was out to reclaim his country and it got a bit bloody.
Looking back at all of this work and many hundreds of other pages (I think someone estimate about 2000 pages) I could not decide what I considered to be my best work and that I liked. That is until I had to check something from the last volume of Adventure and The Green Skies. I have no idea what was going on aty the time but I looked at the art work and thought "That looks okay" and I think it will probably be my best but that is for others to decide.
I am not found of ego and I draw and wqrite what I like because companies are very restrictive and just want the same old stuff (usually movie or some modern comic "classic") for a 'new' book.
When it comes down to it what I draw and publish -it is not up to me to say what is my best. It's up to readers and that is where it ends.
A few words on the classic reprints
Just a quick note about the GA reprints to update anyone interested.
I am always -always- on the look out for any scans of pre-1952 UK comics. The point is not to make money with reprints because, if I am being honest, the UK Golden Age books do not sell.
The late Denis Gifford ran the Association of Comic Enthusiasts (ACE) and I am quite sure that a few have survived like me! I also ran Yahoo and other groups dealing with Platinum, Golden and Silver agesof UK comics -there is still a Face Book group loaded with many images. Nothing.
British Golden Age Comics blog has had 207,845 views but no sales of books from those views.
UK Golden Age Heroes and Comics 87,402 views but no books sold.
The Golden Age books are all as good a quality reprint as you can get and more than one page has taken a day to clean and make readable. This is work that has been going on for decades (that thought terrifies me!) and how much have I spent on all of this to try to preserve lost comics, characters and creators? I think in a previous post on that subject I mentioned that I got to a certain figure and then gave up as the total amount terrified me even more than the amount of time I spent on this.
Back in..1995 I put forward the idea of a British Comic Book Archive so that everything could be stored at a central point and accessed for free. Thios idea came up after I had to help the family of the creator of the newspaper strip, Garth, Steve Dowling, find some samples of his work. Then the family of another long gone artist asked the same thing and it goes on and on.
Artists and writers whether the old Boys Papers (and my research proved the 'fact' that these NEVER contained comic strips because they were seen as "low art" to be wrong) , Penny Dreadfuls or comics were were always paid as little as a publisher could getr away with and some struggled to bring entertainment to youngsters and oldsters alike. They at least deserve to be remembered and I was quite happy to find out that Louis Diamond, comics publisher and writer/artist is a relation (and, yes, he got "screwed over"by Amalgamated Press rathere like I was by its successor Fleetway years later).
Based on the percentage I get from a book sale (after printer and print on demand company) I would need to sell around 100 copies of one reprint book to get the money back I paid for one of the original albums/annuals or comics.
It is definitely a passion than for profit work!
Sadly, I chose a time when the internaet has created a new generation of illiteracy where no one wants to actual;ly read a printed book...but if it's free online well -grab it!
Discoveriung lost characters is fun and I get a kick out of it every time and from now the rediscovered items will appear only in Comic Bits -far easier than working on full lenth reprint books.
Text features, artists and writers bios -if they can be found- all blended together like a good coffee (I need a cup of coffee!) and filling 80 pages each issue. I'm so excited I may buy copies myself😂
Wednesday, 30 September 2026
Tuesday, 29 September 2026
RIP Rodolphe Jacquette 18th May, 1948 - 23rd September 2026
Very sad. Cinebook just announced this:
Druid -Master of the Stones
All characters and story (c)2026 Terry Hooper-Scharf and BTC&Bs
.
Cinebook Ltd: Newsletter 225- September 2026
To display this email in a browser, please click here
| |||||||||||||||||||||||
Corrections from Jean-Marc on Hexagon Reviews
While reviewing books I do get flashes of "I've seen this before -no I have not!" . I once wrote an over long glowing review of a Cinebook title that I had picked up from a new stack and it seemed all too familiar to me. In fact it was familiar because I had reviewed the book two years earlier and have no idea why it was with the new books!
Unlike most reviewers for the sake of accuracy I always welcome corrections because I am human and make the occasional mistake (delete, re-write and publish on the internet is far more forgiving than an error in print!).
When I got an email from Jean-Marc I read it and thought "No. I didn't review that....oh. There it is on the shelf!" At least I occasionally remember to breath!
|
Friday, 25 September 2026
Hexagon Comics: Guardian of the Republic & Jess Puma & Dark Flyer
7x10 squarebound trade paperback,
ISBN-13: 978-1-64932-472-6. US$10.95 / GBP 9.99
Contents:
- Foreword by J.-M. & Randy Lofficier
- THE BLACK MIRROR. Story: Jean-Marc Lofficier; Art: Roberto Castro
- FUTURE IMPERFECT. Story: Jean-Marc Lofficier; Art: Moacir Muniz
Two major sagas of the GUARDIAN OF THE REPUBLIC in this special issue, with a hint of Christmas cheer!
In THE BLACK MIRROR, on Christmas Eve, the GUARDIAN is projected into the "mirrorverse" of Paris by JESS PUMA and ROXY, and must join forces with them to stop the monstrous Shress from destroying the French capital...
In IMPERFECT FUTURE, the GUARDIAN and the DARK FLYER are transported to the year 11,230 A.D., where they are forced to battle the sinister Hyperbrain...
The epic saga of the GUARDIAN OF THE REPUBLIC continues with these two two new stories featuring the most popular of all French superheroes fighting
alongside other characters from the fabulous Hexagon Universe!
When it comes to universe creating Hexagon Comics is doing it well. We have seen the re-introduction of many characters from the past, present and even far future. The scenes of adventures have been space, futuristic or ancient cities and now we have... a mirror universe...called "a Mirrorverse". It takes a while but I do get there in the end.
In many ways, and I mean this with great nostalgia, Hexagon reminds me of the Marvel Comics of the Silver and Copper Ages that I grew up on. A character goes out for a walk and..another appears and then it all kicks off. That is really what you want as a comic reader and as there is no forgetting that comics should be fun.
Jed Puma is out and Jess Puma is in and I really like the look she has been given and she isn't the only character joining uardian of the Republic in combatting that horrible green thing you can see on the cover. A Christmas adventure worthy of the Silver Age. Roberto Castro does a lovely job when it comes to the art and from now on I shall always check any Christmas tree baubles!
Muniz's art on Future Imperfect is of a more detailed style and there is some nice use of techniques for effect. Reading the story it does make you wonder whether any super hero can just take a walk or to the chip shop without facing a major threat? A bit like goping to buy someone chocolates for Christmas and...oh, that was the first story in this book!
It's a good solid fun read with great art and as always I just suggest that you try at least one Hexagon book -there are enough of them and you can find them listed at the online store.



.jpg)
.jpg)
.jpg)





