Bristol Comic And Zine Fair -IT'S SATURDAY!!!!!

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Exhibitors

We have over 60 incredible artists, writers and makers exhibiting and selling their work at BCZF 2014. You can read about them all on this page. Here are our first batch of amazing exhibitors, with MORE TO COME!

	AVERY HILL PUBLISHING Avery Hill Publishing is an independent publishing house that was setup in South London in the long dark winter of 2012. We are currently promoting use of the word ‘micropublisher’ to describe ourselves, as it sounds boutique-y and glamorous. We publish comics, zines, fine art and anything else that grabs our fancy under our two labels, AHArts and AHComics. We also have three ongoing house publications: ‘Tiny Dancing’ – a miscellany of nonsense and genius, ‘Reads’ – a comics anthology featuring some of the best talent from the UK small press comics scene and ‘Fronts’ – an arts showcase that focuses on an artist whose work we admire, featuring images and an interview with the creator regarding their process. Our canon includes psychogeographical mappings, drunk 19th century scientists, time-travelling beagles, minimalist musings, kids running amok in dance tents, and much more.
	SEAN AZZOPARDI Sean is a London-based cartoonist and has been making and self publishing comics for eleven years. He’s produced numerous mini comics and books for his Phatcomics imprint, including acclaimed titles such as Ed, Twelve Hour Shift and Dark Matters. Away from self published titles he is working on Necessary Monsters (First comics) and has drawn a back up strip for indy smash Phonogram (Image). He has work in numerous anthologies and magazines, most recently the current Off Life and Ink + Paper.
	BARK We are two cool kids who really care about the world. We are setting up a mag called Bark which we hope to sell to raise money to buy rain forest from the worldlandtrust.org. We will be launching our comic at the zine fair, which includes loads of great artists. We will also be selling original artwork from the zine and we have made some exclusive comics and other goodies especially for the fair. Check out the bark blog (bark-cc.tumblr.com) to see all the amazing artists involved.
	ANDY BARRON Andy draws comics and cartoons based in the world of OM.  OM is a series of short wordless comics featuring an expanding cast of characters.  Andy will be showcasing a brand new comic at BCZF. @omcomics
	SAMMY BORAS AND SARAH FOGG Sammy and Sarah are friends who make comics. Sammy specialises in comics, while Sarah specialises in illustration and zines. As a team they produce a comic anthology once a year and a music zine whenever they feel like it. They both work on the quarterly zine What’s The Time, Mrs Woolf?
	BREAKFAST CHAMPION CM Carter creates comics and illustrations under the guise of Breakfast Champion. They draw influence from alternative comix, low brow culture and dark humour. Their work can be seen in various places including Off Life, Design Week Blog, Doodlers Anonymous and Peculiar Bliss. As well as old fashioned pens and paper Breakfast Champion works with digital media, silk screen and single malt.
	GARETH BROOKES Gareth has been small press publishing since 2005, beginning with collaborations with Banal Pig and later becoming involved with groups such as The Alternative Press and The Comix Reader. Goodies to be found artfully arranged on his table include The Black Project – a Graphic Novel created entirely in the mediums of embroidery and linocut relief print, the psychidelic sci-fi epic The Land of My Heart Chokes on its Abundance, and a bountiful preponderance of original prints and handmade zines.
	PAUL ASHLEY BROWN Since 2008 has been self-publishing Browner-Knowle, his collection of short, poetic melancholy narratives and comic-strips, as well as other one-off zines, and has also been published in The Illustrated Ape, The Comix Reader, and Stripburger. He can usually be found loitering in Park Street cafes, drinking copious amounts of tea and drawing the denizens of Bristol very very quickly, as they pass.
	LAURA CALLAGHAN Laura is an Irish illustrator currently based in South East London. Her work is largely hand painted using watercolour, indian ink and isograph pen, depicting women in environments which are ostensibly bright and beautiful but that cultivate a sense of mystery or unease. She will be selling publications, art prints and cards and will be debuting the third instalment of her ‘Fancy’ zine series.
	EMMA CARLISLE  Emma Carlisle is a freelance illustrator and makes stories, prints, hand painted badges and ceramics, based in Malvern UK
	CRAIG’S COMIC LAND Craig Conlan is a Scottish artist living in London. He has worked as an illustrator for many years but has recently returned to his first love- comics! His site, Craig’s Comic Land features a new story every month, on the first of the month, with a rotating cast of characters. Craig will be selling comics, prints and original art featuring Ghost Cat, Hairy Mary and friends.
	DECADENCE COMICS DECADENCE is a comic anthology and collective that publishes science fiction stories. Their comics feature psychedelic altered states and dystopian visions. Futures and alternative realities are projected while an awareness of the past and present are retained. Decadence comics attempt to break down reality and confront the idea of duality within the Cosmos.
	DIRTY ROTTEN COMICS Dirty Rotten Comics is an underground comics anthology curated by Kirk Campbell and Gary Clap. We will be debuting our third issue at the Bristol Comic and Zine Fair, featuring work from upcoming UK artists and writers
	DRY COMICS Dry Comics is a newly-founded publisher of minicomics based in Cardiff. Debuting at BCZF will be ‘The Architect’ by Ioan Morris, a poetry zine by Rhydian Parry, and an adaptation of Gemima Salt’s short story ‘Treehouse’. They’ll also be selling other comics/zines/illustrations by founder Ioan Morris.
	EYEBALL COMIX EyeBall Comix began in Bristol, the first issue was printed in 2010. EyeBall produces toxic garbage in the underground/horror tradition and has printed works by among others; James Quigley, Motohiro Hayakawa, Kyle Platts, Aidan Cook and Brigid Deacon, alongside your main EyeBall honkies; Paul Arscott, Barry Cook and Robscenity.
	HARVEY FINCH Harvey is the creator of the swords and sorcery adventure – Logar The Barbarian, and more recently, Nadir – a pre-apocalyptic story set in South London.  @harveyfinch
	FLAPJACK COLLECTIVE A collective of freshly graduated illustrators from the Arts University Bournemouth. Made up of Louis Craig Carpenter, Maia Fjord, Allie Oldfield, Hope Sloan and Florence Zealey. We’ll be selling zines, comics, screen prints, t-shirts, postcards and the like. Previously we’ve exhibited at Comica Festival in London. Come and say hello, we don’t bite!
	FOLD COLLABORATIVE Fold Collaborative is an independent publication produced by 9 illustration graduates from Falmouth University. We will be releasing fold issue 10 at BCZF along with other printed things and goodies!
	FOOTPRINT Footprint are a printer co-operative from Leeds. This Risograph specialist, zine-happy, anti-capitalist, booty-shaking collective have started doing a zine distro of the finest wares that rattle off their machines and they’ll be bringing a tableful of it to Bristol. They’ll also be happy to talk to punters about printing, co-operatives and anything else they do.
	LORENA GARCIA Lorena Garcia is a freelance illustrator, designer and artisan. Currently based in London, she published the first issue of her zine Compendiums of Curiosities last April, featuring botanical illustrations of poisonous flowers. Lorena has a passion for knowledge and curiosities, specially regarding Botany, History and Literature. She is the kind of person who believes you can never have too many books, just not enough space.
	ISABEL GREENBERG Isabel is a London based illustrator and writer. She is currently working on her first graphic novel ‘The Encyclopedia of Early Earth’ which is due to be publushed in 2013 by Jonathan Cape in the UK, Random House in Canada and Little Brown in the US. She studied illustration at the University of Brighton and since graduating has worked for a variety of clients including Nobrow Press, The National Trust, Seven Stories Press, Solipsistic Pop and Wrap Magazine. In 2011 she won the Observer Jonathan Cape Graphic short story prize.
	GRIND YOUR TEETH ​Two parts of Bristol based collective Grind Your Teeth. Gwion Christmas and Paul Mcquay are two illustrators brought together through a love of pens and print.
	ALEX HAHN Alex Hahn Publishing is an independent producer of comics, zines and graphic novels. With products ranging from small, home made editions to 100-page graphic novels and more. The charm of Alex’s products is matched by the characters within them: The emasculated hero, Heracles; the lovestruck cupcake known as Muffnut (doughnut/muffin) and his muse, the Cruffin (croissant/muffin); a determined little space man and, of course, Blop -everyone’s favourite Martian! Visit Alex’s table for a wide selection of titles, prints, cards, original artwork and other cool merchandise; free signing and a friendly smile. Look out for a brand new book launching at the fair!! @alexhahns_twits
	TERRY HOOPER-SCHARF Terry Hooper-Scharf is a writer and comics journalist and has worked in comics since the early 1980s for Fantagraphic Books, MU Press, Blackbird Comics, Marvel UK, Fleetway and Egmont. He has been a major supporter of the Small Press in both the UK and Europe and Black Tower Comics and Books recently celebrated over 30 years of publishing.
	JAZZ DAD BOOKS  Jazz Dad Books is a small press publisher based in Bristol. Founded in 2013 by Edward Cheverton. Jazz Dad Books focuses on producing small runs of Zines, Comics and Artist’s books from a variety of Illustrators and Artists. We will have titles from Nick Edwards, Disa Wallander, Chris Harnan, Jayde Perkin, David Biskup, Rosie Brand and many more, as well as prints, original art and the legendary Jazz Dad badge.
	GRAHAM JOHNSON Mr G Johnson, sometimes known as Graham, is a Bristol based artist currently mostly finishing his illustration degree and slowly drawing http://portinastormcomic.com, but sometimes does other stuff like raising a pet lizard (and drawing him).
	MAX K Max K; organiser of the up & coming ‘SHAKE BRISTOL’, comic & poster illustrator and creator of the saddest/raddest mutants. Come say hi.
	JOSEPH P KELLY. Joseph P Kelly is a comic book artist, illustrator and screen printer based in London. His work is created using traditional pen and ink techniques often adding colour digitally before reproducing through hand made screen prints.  He will be selling zines, hand made screen printed posters and art works.
	STEPHEN KELLY Stephen is a Scottish artist living in Bristol, working mostly in publishing as an editorial illustrator for magazines like Classic Rock, Total Guitar and Rock Sound. He will be selling his first foray into comics at BCZF 2014, so please be nice.

	LEADACHE Marie Callum, Hamish Steele and Melissa Trender are animators with wildly different styles but a shared love of exploring pop culture, human nature and the macabre through comics. Hamish (@hamishsteele), creator of Cartoon Hangover’s Dead End will be signing copies of his new comic Pantheon: The Heavenly Cow.
	ISAAC LENKIEWICZ
	LIZE MEDDINGS
	THE MODERNIST  the modernist magazine is a quarterly publication about 20th century modernist architecture and design. Published  in the North of England and now spreading its tentacles across the world. We’ve hand picked a team of experts, and dilettantes alike, to bring you news, reviews, musings and delightful titbits about modernist architecture and design. So, if you love 20th century architecture and design, the modernist magazine is just the ticket.
	MOMO WORKS Momo Works is a small press based in London. After publishing Flamingo Magazine, it now focuses on short-run essays.
	MONSTER EMPORIUM PRESS Monster Emporium Press was born in 2009 out of the constructed chaos of south London arts collective What They Could Do, They Did and one of its innumerable projects, a zine, ‘They Did’. Out of MEP’s own chaos now come art books, zines and new writing. @MonsterEmporium
	NUALA MURPHY Nuala Murphy puts out a comic about once every 5 years in a half-arsed, photocopied sort of way.
	LOUIS NETTER Corruption Comics is the brainchild of Louis Netter and it seeks to crawl under the reptilian skin of the power brokers of the world and shine a light in the dark corners (with more than a laugh or two thrown in). Four comics will be available with one never before seen journey into LSD and CIA mayhem.
	IAN NORRIS Fixed Up is the story of one man’s journey from a geeky, awkward, shy teenager in Cape Town – to a geeky, awkward, shy adult in Oxford. It tells the story of how being in love is the worst thing ever. The first three epic issues will be on sale, as well as a speak preview of issue 4.
	OOMK One of My Kind (OOMK) is a highly visual, handcrafted small-press publication whose content largely pivots upon the imaginations, creativity and spirituality of women.
	OPPOSITE THE ALLEY Opposite The Alley is a small independent press founded by Illustrators Emma Evans and Iselle Maddocks. It offers a platform for illustrators working in a wide variety of styles and aims to shed light onto both emerging artists and young talent. We’re friendly so be sure to say ‘hi’ if you stop by our stall!
	SANDRA ORTUNO Sandra Ortuño is a female human currently living in the UK but was born in Spain. She claims to be an illustrator and graphic designer. When she grows up, she wants to be a crazy cat lady but since she’s got no cats yet, for now she’s just crazy. Besides cats and every living creature wandering on the planet, she also loves cake, colourful things, cartoons, gentlemen with goatees and sunny days. Sometimes she grabs a pencil and draws silly stuff.
	OTTO PRESS A varied selection of comics, art books and prints published @ottopressuk will be on display for your discernment.
	MARK PEARCE AND JAMES STAYTE Mark Pearce is the creator of Ronin Dogs. James Stayte is the creator of Big Jimmy. They are the Wyld Stallyns of comics.”
	TOM PLANT Having realized at an early age that he was a bit of an introvert, Tom decided to become a cartoonist.  He has since gone on to produce work for The Beano, The Dandy, The Guardian, The Readers Digest, CBBC, Nessy and many others.  Tom is the author and illustrator of The Broadmead Colouring Book, Sunshine Bay: not half as bad as people say, A Load of Old Rubbish and lots of magazine comics.
	JIM POWNALL Jim Pownall is the writer of the autobiographical comic series Fingers Crossed. The stories give us an insight into the author’s life to date as he attempts to find his path and just do the right thing. However, standing in his way are suicidal frogs, crazy best friends, aggressive French women, ex-girlfriends and ruined weddings. These are definitely not your typical coming of age tales.
	ZOE POWER Fresh off the boat from Montréal, where she’s been living for the past few years, Zoe is moving back to her hometown with a paintbrish in hand and a thirst for collaboration. Bikes and food are some of her favourite things as are black marker pens, sexy lettering, relief print and dry humour.
	PRINCESA PIRATA Princesa Pirata is a small queer/anarcha feminist distro with a love for cycling and all kinds of D.I.Y. It’s run by A-K Pirata and based in Bristol. Princesa Pirata stocks zines, small press comix, badges, postcards etc. princesapiratadistro.wordpress.com
	SHAPE OF MY HEART Based in London, I write perzines focusing on mental health recovery, travel and penguins!
	SICKER THAN THOU Sicker Than Thou is a comic collective consisting of Andrew Godfrey (artist, writer) and Emma Mould (writer) who make autobiographical comics about chronic and mental illness with a twist of humour. Andrew was born with the chronic illness Cystic Fibrosis, a degenerative disease that affects the lungs and digestion, amongst other things, and Emma Mould was diagnosed with Borderline Personality Disorder aged 18.They are currently working on a strip for the forthcoming anthology of mental health recovery comics edited by mental health nurse and educator Theo Stickley and cartoonist Brick (Depresso, Knockabout Comics).
	SAMANTHA STARKEY Samantha Starkey is a London based character Illustrator who’s drawings humour the mundane, and celebrate the beauty of the ordinary.  She’ll also be teaming up with some of her buddies from Kingston Uni. Expect digestible zines and mini stickers.
	LEE TAYLOR As well as having co-created issues of the music / art / stuff zine ‘The Screever’ since ’09, Lee also makes a perzine called ‘Larry’, draws bleak comics for folk, and writes, records, and releases a bunch of music that no one listens to.
	MAIR THOMAS Mair (A little lost) makes DIY lo-fi surreal comics and colouring books, which often feature flying tortoises. She has a weekly updated Welsh Language online comic called ‘Llong’ about a boat’s adventures around a flat world. Mair’s work can sometimes be seen in Bear Pit Zine and What’s the Time, Mrs Woolf Zine.
	TWIN FREAKS Twin Freaks are Bristol-based illustrators Alys Jones and Ryan Gajda. ALYS JONES likes almost anything which is over 100 years old. RYAN GAJDA is unable to relate to anything except through an increasingly alienating filter of pop culture and geekery. They will be selling: zines, postcards, badges, prints and various pieces of illustrated esoterica.
	WATER CLOSET PRESS Richard Worth is a bearded comics writer; he’s Northern. Jordan Collver is a bearded comics artist; he’s Canadian. They have been making comics together as The Water Closet Press since 2010.  Their chief export is a small press serial comic entitledLadies & Gentlemen.  The Water Closet transcends all divides and is located in both Leeds and Bristol.
	OWEN WATTS The Psychedelic Journal of Time Travel is a bizarre anthology filled with the best of the small press – short self-contained tales of the strange and the inexplicable
	ELLICE WEAVER Ellice Weaver is a young comic maker, self publisher and cake artist from Bristol. She studies Illustration at the University of West England and prints her zines and comics under ‘Cringe Press’. Most of her Comics are autobiographical and deal with the problems of everyday life: petting soft animals, getting a haircut and the creeping feeling of not belonging anywhere.
	WE STUDIO PRESS We Studio Press is a wee/small press publishing initiative based in Glasgow and Dundee set up by Glaswegian illustrator David Kerr. We will presenting books and prints by a select few illustrators and comic artists.
	WOLF MASK Wolfmask is a cartoonist based in London who has been commissioned/featured by people such as Kerrang! Magazine, Download Festival, The Murderburgers, Don’t Panic, Asian Man Records, Bizarre Magazine, Secret 7″ and many more. Over the past few years he has released over a dozen zines ranging from the childish to the purely idiotic.
	YETI SPAGHETTI A father and son independent publishing powerhouse delivering heavy hit after heavy hit.

Working For The Small Press -What's It Worth?

 I was thinking how things have changed over the years. Back in the 1980s/1990s, if I had a zine that was short of 3-4 pages I'd knock out a letter and send it off to other zine publishers/creators.  Within a week I could guarantee having enough material to fill 2-3 zines.  And, if contacted by other zine publishers looking for material, well, yes, I'd send something to them.

At no point did anyone ask "How much are you paying?"  It was simple fun -contributors got a copy of the zine their work was in. Again, no one asked: "If you make anything out of this what's my cut?"

We were selling our "end product" for 25 pence.  50 pence.  75 pence or, and, I tried and succeeded in never crossing this particular price barrier myself, £1.00.  Yes, £1.00 which back then was 50 cents? So, buy my zines and you got a lot of pages for little money.  I try to keep doing that still.

Although, via Zine Zone mail order or marts you could sell quite a few zines -in fact, it's odd but you would guarantee at least doing fairly well sales-wise back then where as now the attitude and expectation is that selling one or two books is a good day! In fact, zine publishers reported that they did far better sales-wise with Zine Zone than they did with Fast Fiction (which saw ZZ as a competitor though we never considered there to be any rivalry).

"Hey -I made £2.00!" Not bad -snicker-  now to divide that up between 10 contributors! Seriously, no one expected to make big money because it was all for fun. Also, a lot of the creators of the 1980s who made it into comics as writers or artists all started in the Small Press -it was seen as a place where you could hone your skills. It is interesting to note that a few of these creators when asked how they got started in comics tend to gloss over any mention of the Small Press!  It all seems to be "I started writing/drawing and used every opportunity to hone that skill and then DC/Marvel saw my work" I think that is actually shameful.

People ask me how I got started I'll tell them.  Putting together a school magazine (Greenway Boys School, Bristol, 1972) titled Starkers -The Magazine That Tells The Naked Truth which was a title suggested by our Deputy Head, Mr Wright. Getting everything together, drawing, typing on the stencils for the Gestetner copier and then....getting banned by the Head because one of the secretaries complained about the title (yes, there was more to it because I was seen as an "H-dropping" pain-in-the-ass by the snobbish head and his school kid cronies).

Then I got work with a printer.  I then started working with the early photocopiers.  I wrote articles on everything from nature to astronomy and history and then I decided I wanted to get into publishing so I got friendly with those folk as well as editors and distributors and even stupidly spent money buying rights to certain characters/publications (see one of my previous big posts -they are there somewhere).

Putting all of this together helped in making dummy copies of proposed titles to submit to publishers.  Some of those titles, such as Preview Comic got a few people into permanent comics work both in the UK and US.  Then there were scripts for London Editions, Fleetway/Egmont, Marvel UK and so on.  And even while doing my comic work (and the officially unofficial other job) I was writing comic articles for publications such as Comics FX and other publications promoting comics and particularly the Small Press which has never gotten even 2% of the publicity 'real comics' do.

Today, obviously and I never ever do this any other way, all art is (c) the artist. If the contributor wrote and drew something then it is all (c) the creator. Even if I lost out I made sure contributors got something.  But then you hit the big problems.

You learn, quite by accident, that an artist you have written a script  for and who then with no explanation break all contact, are actually trying to sell the strip with a couple of character name changes.  When found out and contacted over this there is either silence or "Oh, I thought you'd left comics" -right.  Then you have the artist who wants to have full control over the end product which includes changes made "to make it better" and believe me I have had artists change characters names, sex and even whole chunks of story because they feel they know better.  That just is not on.  The writer writes and the artist draws -perhaps making an odd change to make action flow.

I have had one artist ask me to draw character sketches because he just could not understand what I meant by stating the right hand side of a characters body was all robot while the left was wholly human.  Another had to have a sketch when I described a central tower in a city had, at the very top,  a clock face on each of the four sides...?

Then you get an email out of the blue "I don't want this published unless I get a 60% royalty deal, a page fee and creative rights"  hmmm.  Or, you publish after putting a lot of work into a book and the artist then says he doesn't want to be associated with it because it might affect his work prospects with Marvel or DC???

You will also get artists who email every single week asking about sales.  "You can't be doing enough to promote the book!" And then there are the artists who complete books and simply vanish.  They no longer answer emails and so the book HAS to be withdrawn.  Or the families of people you have worked with....don't even get me started on that.

There are no huge profits in Small Press publishing and Independent comics will not make you rich!  So, as a publisher you have to make decisions that affect your output.  Books are withdrawn. Decisions are made so that you no longer have to rely on other creators and all the problems associated with them.

Black Tower no longer accepts proposals from creators.  Everything is in-house and there are only two creators...and a very large selection of books to buy.  No distractions or problems other than those you get normally as the UK largest Independent comics publisher.

The small Press rely far less on collaborations these days.  There are some but more and more it's an individual thing with the creator writing, drawing and publishing the book.  No profit no problem. A profit -nice.

I think the anthology titles of old with any number of contributors will eventually vanish because unlike the doing -it -for- fun days where publishing was smooth and creators did not scream out "I'm a star! Pay me!" 

If you ask what money you are going to get out of the Small Press as an artist or writer then the true answer is that you'll be lucky to make any.  And the proof is there if you don't believe me: publish yourself and see all the 'joys' first hand!

So if you go to this weekends Small Press event remember: no one there is getting rich!

Newsletter Hamelin 2 ottobre 2014

NEWSLETTER del 2/10/2014

LA SOTTILE LINEA SCURA

È andata benissimo, ci pare. Grazie a tutti per la grande partecipazione, davvero sorprendente. Contiamo di proseguire insieme il percorso iniziato.

Qui le foto della giornata.

Qui scaricabili gratuitamente materiali di approfondimento su lettura e adolescenza.

Stiamo lavorando agli atti del convegno, in uscita sul prossimo numero della rivista.

NUOVO XANADU

Da oggi, uno alla volta, gli 11 nuovi percorsi Xanadu, con i libri "titolari".
Il primo: le storie d'amore.
Romanzo di riferimento sarà Cime tempestose di Emily Brontë.
E da lì partiranno due strade, ognuna con altri libri, fumetti, film: il rapporto tra amore e morte e l'importanza del corpo.
Seguiteci su Facebook per scoprire gli altri percorsi nei prossimi giorni.

HAMELIN FA PARTE DI IBBY ITALIA

International Board on Books for Young People è una rete internazionale di persone, che provengono da 77 paesi e promuove la cooperazione internazionale attraverso i libri per bambini, creando ovunque per l'infanzia l'opportunità di avere accesso a libri di alto livello letterario e artistico e incoraggiando la pubblicazione e la distribuzione di libri di qualità per bambini specialmente nei Paesi in via di sviluppo.
www.bibliotecasalaborsa.it/ragazzi/ibby/

BilBOlbul newsletter 1/10/2014

 

  

 

 

APERTE LE ISCRIZIONI AI WORKSHOP PER BILBOLBUL 2014

 

Sono aperte le iscrizioni ai workshop che si terranno nel corso di BilBOlbul 2014, in collaborazione con Ateliersì e Bottega Finzioni.

Cinque laboratori pratici durante i quali i partecipanti potranno confrontarsi e lavorare con alcuni tra i maggiori esponenti del fumetto e dell’illustrazione contemporanei, tra cui Manuele Fior, Roman Muradov, Icinori e Alessandro Tota.

 

 

AAA VOLONTARI CERCANSI

 

Cerchiamo volontari per l’ottava edizione di BilBOlbul.

Ti va di provare?
Visita il sito di BilBOlbul 2014 e compila il modulo entro il 15 ottobre 2014, aggiungendo tutte le informazioni che pensi possano essere utili per conoscerti!

VAI AL MODULO STAGE VOLONTARI

 

 

FESTIVAL INTERNAZIONALE A FERRARA

 

Parte l'edizione 2014 del festival Internazionale a Ferrara (3-5 ottobre).

Incontri con giornalisti, scrittori e cineasti, e anche alcuni appuntamenti dedicati al fumetto, come la presentazione a cura di Goffredo Fofi del fumetto del polacco Maciej Sieńczyk pubblicato da Canicola (venerdì 3 ottobre h 19.00, Mercato Coperto) e la conversazione tra Gipi e Giovanni De Mauro (venerdì 3 ottobre h 22.30, Mercato Coperto).

PER MAGGIORI INFORMAZIONI

 

 

BilBOlbul Festival internazionale di fumetto fa parte della
Rete dei Festival del Contemporaneo di Bologna

Future Film Festival: 1 > 6 aprile 2014 - futurefilmfestival.org :: Live Arts Week: 8 > 13 aprile 2014 - liveartsweek.it :: Angelica- Festival Internazionale di musica: 2 > 31 maggio 2014 - aaa-angelica.com :: Biografilm: 6 > 16 giugno 2014 - biografilm.it :: Gender Bender: 25 ottobre > 1 novembre 2014 www.genderbender.it :: BilBOlBul: 20 > 23 novembre 2014 - bilbolbulnet

 

Doctor Who: The Twelfth Doctor #1 hits comic stores on October 15.

 "Listen!"

Doctor Who: The Twelfth Doctor #1
Offering shocks, surprises, and galaxy-shaking revelations, seasoned TARDIS pilot Robbie Morrison (Drowntown, The Authority, 2000AD, Nikolai Dante) and New York Times-bestselling artist Dave Taylor (Batman: Death by Design; 2000AD) mark the start of their first five-issue run by diving headfirst into the console room and pulling all the levers they can – spinning the new Doctor off to his most challenging destination yet!

New Face! New Doctor! New Beginning! Get in on the ground floor of this amazing ongoing series!