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Saturday, 27 September 2014

A US Comic Book Implosion IS On Its Way



In the early 1970s, Marvel comics were hit by the slump in sales -as was DC.  Fans of either company will argue "DC was hit worse than Marvel!" and "Marvel was still chalking up the success unlike DC!" -this is what I call the "Fan Stupidity Factor" (FSF).

FSF is seen in a number of forms but the most common are the almost petulant child-like stamping of feet -I've seen this at comic events- when Marvel Comics is mentioned.  And the phrase "I'm sorry -'Marvel' -what's that? Never heard of it!" and, seriously, a few times I have really wanted to hit some of these people but then I realise they are suffering a mental health issue.  Oh yes, I've seen the same at Marvel panels regarding mention of DC.

I even had a conversation with a man in his thirties in a comic shop when he was looking at comics and asked "Is there anything you'd recommend?" I pointed to a Marvel comic on the next row of shelves.  He wouldn't look. In fact, he responded to my pointing to the book in question again with "I do not recognise any company than DC."  FSF.

The truth is that Marvel and DC were hitting very bad times and sales were declining and titles being cancelled and reprints featured a lot!  It was after the movie Star Wars that Marvel just avoided going under. Roy Thomas pushed hard for the company to publish a Star Wars comic.  They did and it gave them a breathing space.

Remember there were no real comic shops as such back then selling anything other than old books, old comics and so on and in the UK it was a similar story.  Flea market stalls and book shops selling old pulps also sold comics -Bristol Book Centre in Gloucester Road, Bristol was run by a rather quirky American lady who used to be an opera singer. Pulp sci fi,crime pulps AND comics. Man, those were the days.

But back on track, Marvel and DC were dying.  So, the UK companies were faring no better -to an extent. Bosses were making sure titles were being cancelled and looked for a good excuse. Once a month "the boys upstairs" would take a look at 2000 AD -which was why you'd get a lot of violence then, suddenly, an issue became quite..."tame" -that was the issue that was going "upstairs". But titles were featuring new talent and DC realised this -visits to the UK to meet, wine and dine UK creators are a matter of common knowledge.

At a UK Comic Art Convention I actually asked Archie Goodwin what real contribution UK creators had made to a company such as DC?  "They saved the company. Period." was the response.


Marvel and how it escaped death to be reborn (hmm...no. Let's not get into the reboot thing!) is also well known.  But DC and Marvel turmoil led the "The Black & White comics explosion" which made fortunes for some creators (many then squandering the cash thinking it would always be coming in!) and this included the "Small Press Comic Explosion" and "UK Small Press Invasion" of the US where things had become stale and very chaotic. Creators from the Independent comics were also recruited thinking that working for Marvel and DC was going to rake in money (seriously, if you have not watched the Bob Layton interview to be found on Tales From The Kryptonian do so and you WILL learn a lot).  How'd that turn out?

The point is that many -many- of the old DC and Marvel comics fans who invested emotion and money in books and characters no longer buy -or are very selective about what they buy.  Reboot after reboot. New 1st issue after new 1st issue.  So many variant covers that it has become ridiculous and the FSF kicks in "I MUST buy every variant cover!"  -look, I've written about this so often that it would be ridiculous to do so again.  Fans are encouraging the immense greed of the companies so it will -it will- continue and then........

BOOM!

 

Cancellations. Maybe even Disney stopping publishing comics -just collections. "They will NEVER do that!" you scream.  They will.

Take a look at this BBC Entertainment item from May, 2013 http://www.bbc.co.uk/news/entertainment-arts-22686413

Iron Man 3 enters all-time box office top five

Robert Downey Jr and friend in Iron Man 3  

Robert Downey Jr reprises his role as billionaire crime-fighter Tony Stark in Iron Man 3


Comic book blockbuster Iron Man 3 has become the fifth top-grossing film of all time, according to online movie tracker Box Office Mojo.
The sequel, which has now made $1.14bn (£760.5m) worldwide, overtook 2011's Transformers: Dark of the Moon to claim fifth place in the chart.

Now, Comichron (The Comics Chronicles) http://www.comichron.com/monthlycomicssales/2013.html has this interesting fact plus a complete breakdown:


2013 Comic Book Sales Figures Comics Sold to North American Comics Shops as Reported by Diamond Comic Distributors


OVERALL North American Dollar Sales for Diamond's Comics, Trade Paperbacks, and Magazines for 2013 around $517.66 million (up 9.04% year-over-year)

Hmm. Now we already know Disney has started replacing Marvel people and putting their own Disney folk in place.  There are rumours of other (unpublicised) little take-overs of former Marvel areas by Disney. 

Before you decide to dig up the road, cut down tracts of woodland you always send in the surveyors to decide what to do and what to get rid of.  Are people not seeing what's going on here?

Now, publish comics...pay writers, artists, editors, printers, distributors and we all know what artists and writers are like with their wanting a per centage and creative rights (which, in fact, they do not get with Disney).  That is a LOT of expenditure for a cut of $517.66 million-their "overall share" was 33.50% now, forgive me but even with my dyscalculus I can see that the big earner for Disney is not the comics.

Big investment in making the movies but, equally, huge financial rewards and most of the money from the movies and movie related merchandise will be from people who have never ever read the comics. Seriously. At a couple of events I talked to people about the Avengers and Iron Man films and not a single person knew either had started as comics.  Stan Lee was "that character in The Big Bang Theory" and Jack Kirby...the blank expressions said it all.

As Bob Layton pointed out in his interview, almost all the merchandise you see is old stuff from the 1970s-1980s where creators cannot ask for a cut.  There are decades of comics that can be re-packaged and sold as collectors books and earn money and not a single cent going to anyone other than Disney.



Iron Man 3 took $1.14bn (£760.5m) worldwide -and that figure is well over a year old. That makes revenue from comics "small change" and Disney just ain't that concerned with small change.

They are changing the Fantastic Four and almost everything else from Marvel Comics into "The Marvel movie universe" -they have been using that phrase so often why has no one questioned what is happening? You want to know?  The "Comics media" are heavily invested in getting the latest Marvel and DC news and there is no way 99% of that media is going to even give "negative news" through fear of being "cut-off".

Marvel Comics is a tiny, insignificant little thing.  It is the Marvel Movie Universe that is important -even comic talk from Marvel is "Marvel movies" referenced so often that it is a sign that must not be ignored.

Groot and Rocket Raccoon on all the Marvel titles covers...just like Deadpool was.  I just find it hard to believe that people are this stupid....then again, it's comics. New variant covers on 20 Marvel titles in December: plain white with text: "I'm An Ass-Hole"......You gonna go out buy that?

DCs overall share was worse than Marvels at 30.33%.  DC, however, are...well...they just seem unable to decide what they are doing other than making sure their movies will be 100% humorless and dark...dark...very, very dark.

DC and Marvel has lost its old, long term fan base simple to scrape in more and more money. I think DC is circling the pan hoping there isn't a second flush.

But Disney. Look at it as a businessman who has absolutely no interest in the comics just the money.  Continue paying out for new work or make 100% profit from just re-packaging old books/series (that they charge a lot for? A few million dollars over a couple billion?  Comics that are hit-or-miss sales wise or movies that are always hits? Iron Man 3 came in for a lot of criticism but is Disney crying over that criticism or ejaculating over the well over $1 billion it made them?


As a businessman who could not give a flying fart about fans -"piggy banks" as Disney and DC call them-  I'd go for the movies and merchandise and re-packaging of old books that make the money. Disney would never cancel X-Men or Fantastic Four?  Why shouldn't they?

In business it is known by many names but, essentially put, it can be explained in this way.  Organise a bank robbery. Hire four men to do the job and bring the money to your hide-out.  Kill the hirelings and take the money and run. It's all yours.  No one else gets a penny.

This is what Disney is doing with Marvel. It does not give a crap if Marvel Comics dies a death.  It has all that free archive material and merchandise.  It's the movies that make the money. I swear, one day there WILL be a Star Wars-Avengers cross-over.  Continuity? As even the (like to think of themselves as) top men at Marvel have said "screw continuity -this is comics!"

There has been, for about ten years now, an increase in the number of Small Press publishers -what we used to call "desk-top publishers"- who produce their own comics and books and there are more Small Press events than comic conventions in the UK.  The interest in buying and  investing in SP comics is increasing and it may be a year or so down the line but DC and Marvel -maybe even Dark Horse- will implode and the Small Pressers will rise and sell and those Marvel and DC fans will sit at home waiting for the companies to pull a rabbit out of the hat.



This is not the 1960s, 1970s, 1980s but 2014 and the entire face of comics changed the moment Marvel sold out to Disney.  I noted all of this back in the 1990s -it's all on CBO or in print somewhere out there. Disney takes over and they take full control -they are almost like the Borgs -assimilation WILL take place. Disney then controls everything, it feasts on the carcass, picks the bones and dumps what is left into a drawer because it may never be of use again but it is theirs.

It's too late to change anything.  Fans sat there and took it from Marvel and DC.  Fans were the companies "enablers".  The companies saw that "the suckers will keep paying" and over and over again screwed them. When -not "if"- the comics industry implodes the fans may not like it, they may plead innocence, but they helped this happen.

Call me names. Get nasty because of what I've written but it will not alter a thing.  I've read comics for over 50 years and up until the early 1990s I was a true die-hard Marvel fan boy with a few DC favourites. I bought every title every month. I stopped that three years ago.

You have been warned.


Bob Layton.....Should He Get Money Now That The Kirbys Have "settled"?

Now I know that the issue of whether Jack Kirbys family should have received a pay-out is controversial. There are those who say "No. He did work-for-hire!" whereas others say "He worked to provide for his family so this is just that continuing".

I'm not getting involved in that arguement.

However, take a look at Bob Layton. When he took over Iron Man as a book for Marvel Tony Stark was just someone of no interest who jumped into the IRON MAN suit.  Layton changed all that.  Now Iron Man is a multi-billion (take into account all the merchandise not just movies) franchise that Layton helped by building into a popular character.  Notice one thing though: merchandise tends to carry images from the Layton era.  A lot of creative ideas for other books came from Layton.

Is he rich? Is he awaiting a big pay-off?

No. There is an excellent video over at Tales From The Kryptonian in which Layton discusses these issues.  He's one of the few  people in comics I've seen interviewed who is not full of himself and comes across as a nice guy.

Go check out the video and learn WHY the Kirbys were lucky.

And it is a great posting to read!

Link to blog on the right

Friday, 26 September 2014

Marvel & Jack Kirby Heirs Settle Legal Battle

Now a few months ago now I wrote that Marvel were ready to strike a deal with Jack Kirby's family.  "Never happen"/"You are fantasising, mate!" and more such things were said/written.

So, suck this up your hyperdrive! Straight from Deadline Hollywood:
http://deadline.com/2014/09/jack-kirby-marvel-settlement-lawsuit-supreme-court-hearing-841711/

Marvel & Jack Kirby Heirs Settle Legal Battle Ahead Of Supreme Court Showdown



Just days before the Supreme Court was set to take the matter into conference, Marvel and the family of Jack Kirby have settled their long running legal dispute over the comic legend’s rights to the characters he created or co-created. Here’s their joint statement:

“Marvel and the family of Jack Kirby have amicably resolved their legal disputes, and are looking forward to advancing their shared goal of honoring Mr. Kirby’s significant role in Marvel’s history.”

Widely viewed as one of the Kings of Comics, Kirby created or co-created some of the biggest names on the page and now on the big screen in the superhero blockbusters that Hollywood has profited from in recent years. However, while his often partner Stan Lee was a Marvel employee, Kirby was a work for hire and had no rights to Captain America, The Fantastic Four, the Hulk, Iron Man, Thor, the original X-Men and the plethora of other characters he played a pivotal part in bringing to life.


The settlement between Marvel/Disney is confidential, but you don’t have to be a Supreme Court Justice to know that if a deal was reached this late in the process, it must be a healthy one for the Kirbys – who were holding a lot of the cards for once. Further concluding the matter, the Kirbys today have also notified the SCOTUS that they now want their petition dismissed.


It was a long legal road for them and Marvel to get to today’s deal. After failing repeatedly in lower courts, Lisa Kirby, Neal Kirby, Susan Kirby and Barbara Kirby petitioned the High Court on March 21 for a hearing on the matter.


 In their petition, the heirs wanted SCOTUS to rule in favor of their assertion that they had the right in 2009 to issue termination notices on 262 works that the comic legend helped create between 1958 and 1963.


Those 45 notices went out to Marvel/Disney, FoxSonyUniversal and Paramount Pictures and others who’ve made films based on the artist’s characters under the provisions of the 1976 Copyright Act. Marvel sued in 2010, after failing to reach an agreement back then with the Kirby family to invalidate the termination notices. Jack Kirby himself passed away in 1994.

Kryptonian Raves About Iron Man! Seriously....

You folks REALLY need to check out Tales From The Kryptonian and its current posting on all things Iron Man -the REAL Iron Man of volume 1!!!


http://talesfromthekryptonian.blogspot.co.uk/2014/09/its-titan-of-technology-thursday.html

Whatever Happened To My British Comic Book History Project?

I have been asked -and not via the internet!- what happened to the book on British comics history I was working on?

Well, as is always the way, I've kind of changed "mid-flow" as it were.  The book was meant to be a British comics history but I decided that I should not really supply plagiarists with more information that they can steal and call their own.

I decided that, yes, there will be British comics history but the book will also feature articles that I have written on the Small Press, German and British comics and much more. And, yes, it WILL be another "big 'un"!

When it will appear is another matter. I have a few comic albums to get out of the way as well as the Green Skies graphic novel which, like Return (see the ad to the right), should be well over 300 pages in length. I am also currently working on a book of my Maakika art so.....

Add all of this to the two up-coming Bristol comic events and I'm quite busy.  I'd estimate maybe February, 2015?  That is not legally binding, mind you.

So, keep watching and waiting and saving those pennies!

Zombina and the Skeletones - Don't Go Into The Light






Monday, I'm looking over the group site as I see CDs and other goodies!  Check it out:
https://zombinaandtheskeletones1.bandcamp.com/merch

Cinebook The 9th Art: XIII Mystery I -The Mongoose






Authors: Xavier Dorison & Ralph Meyer
Age: 15 years and up
Size: 18.4 x 25.7 cm
full colour
64 pages
paperback
 ISBN: 9781849182102
Price: £8.99 inc. VAT

Publication: August 2014


He was XIII’s most dogged enemy from the start, but who really was the Mongoose, that mysterious assassin-for-hire who nearly killed the amnesiac hero so many times?

During an encounter between him and Kim Rowland - an event that took place just before the start of the XIII series - the merciless hitman tells the story of his childhood and how he became a contract killer. ‘Anyone would have in my circumstances’, he claims. But would they?

You be the judge.

Bloody hell.  Well, I actually used stronger words than that.

I saw the cover -XIII?? But that finished...NOT by Van Hamme? Oh gods this is going to be bad.  It really is.  "Overseen" by Van Hamme?  I was not full of faith in this.

Okay, the cover looks great. The artwork inside is yet more artistic brilliance from Europe and great colour work by Caroline Delabie and Ralph Meyer.  If you can fault this classic piece of comic work then you are delusional.  It doesn't get much better.

oops. Sounding over-enthusiastic there.

The story.  Well, I sat and read it.  Then I read it again.  The number of times I just said "whoah!" and "Oh, ****!" I lost count of.  I've seen classic films with twists and turns give me this reaction but it's rare with a comic book.  I could tell you the scenes, what was said -WHY I reacted like I did but in the end I just looked at that last page....well, it was for a few minutes.

Now, Wisher was a treat and got me excited but this book. This just came up out of nowhere and BLAM!! I am going to have a break and read this again and if the second XIII related book, Irina, is even half as good as this I'll need tranquilising!

BUY THIS BOOK!





Cinebook The 9th Art: Lucky Luke 48- Dick Digger's Gold Mine

Authors: Morris
Age: 8 years and up
Size: 21.7 x 28.7 cm
Full colour
48 Pages

ISBN: 9781849182089
Price: £6.99 inc. VAT
Publication: August 2014

10 Star Excellence From Cinebook The 9th Art!!!

 
Dick Digger, an old pal of Lucky Luke’s, has struck gold in the hills. Spending the night in a hotel on his way home to stake his claim, a careless display of his new-found wealth attracts the attention of two bandits who knock him out and rob him – unwittingly taking the map to his mine with them as well! With Digger injured, it’s up to Lucky Luke and Jolly Jumper to chase the thieves and recover the map.

I saw the cover and thought "That was drawn by Morris?  Then I opened the book and saw the rather odd, cartoony style and I was stumped. A little voice then said: "Remember you asked Olivier Cadic if Cinebook would ever publish the very early Lucky Luke strips?"  D'uh!

I then realised that this was the first (?) Lucky Luke published by Dupuis in 1949- "La Mine d'or de Dick Digger" or  "Dick Digger's Gold Mine"....yes, I'm very slow. All the info was there in the title!

It was really great seeing the first Luke -and his evil double "Mad Jim"! Now this has to be a must buy for the completists out there.  To date no company has ever published such a complete collection of this series and this first adventure was not even one that featured in Film Fun Comic or later in Giggle.

This really was a true joy to read through after the initial confusion (you get to my age and read comics for over fifty years (50 years!!!) and it happens.  I may well have missed the first volumes from Cinebook --1-6 and 8 and 9 but I'm certainly going to have to get them now (my great nephews will inherit these!).

Just wonderful to read on a sunny September afternoon!!




Cinebook The 9th Art: Buck Danny 4- No-Fly Zone


 



Authors: Francis Bergèse
Age: 10 years and up
Size: 21.7 x 28.7 cm
Full colour
48 pages
Publication: August 2014

ISBN: 9781849182072
Price: £6.99 inc. VAT
About to be sent to a small country in Central America, Buck, Sonny and Tumb are given a special briefing by two high-ranking US government agents. Under the cover of their official mission – train Managuan Air Force pilots in the use of their brand new F-18s – the three men are to try and overfly a strangely modern airfield suspected of belonging to a drug cartel. Problem: the airfield is in the middle of a no-fly zone…

 It's very odd but ask most people into comics who live outside the UK "Who is Buck Danny?" and they should know.  As I've previously noted, Dan Cooper and Buck Danny are lead pilots in two long running Franco-Belgian series.  In the UK we had Johnny Red, which was, possibly, the longest (?) running air-war comic strip in the UK.  There was Black Max and a couple other strips but none very memorable (believe me, after I've written this I'll probably come up with several others!).  Ask comic folk in the UK who Johnny Red is!!

But back to Buck Danny.  The usual exquisite detail of aircraft that drives me mad with jealousy is here but so is much more.  This book is far from being just about someone flying aircraft...but that cover is neat. There is the international intrigue, drugging of our hero and his companions and so much more. This is one of those books that makes you want to start drawing aircraft. That said, even the characters in this book look good!

The story by Burgese is nicely detailed and plotted and since he also illustrates the book he can take credit for the art.  Again, a wonderful colourist adds a lot to the look -Frederic Bergese...hmm -a relations?  ;-)

It's nice to see non-Cold War story-lines in these books and why not give it to the drug cartels?!  A great read.

Cinebook The 9th Art: Red Baron 2- Rain of Blood






Red Baron - Rain of Blood
 Authors: Pierre Veys & Carlos Puerta
Age: 12 years and up
Size: 21.7 x 28.7 cm
Full colour
48 pages
paperback
Publication: September 2014
ISBN: 9781849182119
Price: £6.99 inc. VAT

Manfred Von Richthofen survived his first aerial combat with light injuries only. As a rear gunner, though, he felt particularly frustrated by his inability to control the plane.

Convinced that he must be able to fly and shoot at the same time to make the most of his mysterious mind-reading ability, he works hard to obtain his pilot licence. It’s in March 1916, in the sky over Verdun, that the Red Baron earns his first victory as a pilot…

Now, I caused quite a stir with my review of volume 1 -most comments I had to delete but especially the two about me wanting to "rerite (sic) Nazi history"...yeah, a lot of crazy folk roll onto the internet!  My point was that Richthofen, in no accounts, was described as a psycho-sociopath which is what it seemed the author of this book was saying.

This book is more on track and the art is as good as in volume 1 as we see Richthofen on his way to becoming the infamous "Red Baron".  It will be interesting to see how the characterisation develops in the later books.  Will I be happy?  We'll see.....



Cinebook The 9th Art: Wisher 1 -Nigel



Wisher - Nigel
 Authors: Sébastien Latour & Giulio De Vita
Comic Album size:  21.7 x 28.7 cm
Paperback
Full colour
48 pages
12 years +
Publication: September 2014
ISBN: 9781849182157
Price: £6.99 inc. VAT

 Nigel Grant has a gift: he’s very, very good at finding whatever people want for them. Thanks to that almost supernatural skill, he lives a comfortable, carefree life in London. But one day, a client and friend of his throws himself under an underground train.

Shocked by the unexpected death, Nigel is soon swept into a web of intrigue, deception and death as he realises that suicide and the subsequent incidents all revolve around one person: him.

What can I write?  When I saw the cover I just said "Oooh!" It really does look nice.  And then I opened the book.

The story starts slowly but that doesn't last for long! The mystery, suspense and pacing are very well executed -as is the surprise last page.  This is an Editions Lombard book originally, and Lombard have come up with some great books in the past.

Oh. Have I not mentioned the art?  It is beautifully detailed -every aspect of every panel is just so great to look at. Amazing. And what makes the artwork even more wonderful? The incredible colour work of Emanuele Tenderini --it brings a great atmosphere to the book and the scenes within.

I think that this is a new Cinebook series that should be a hit!  I really cannot fault it and I've not been this excited by Cinebook for a while then -WHAM!

VERY highly recommended.

Zombina and the Skeletones Live in Bristol!

Gutted, but I won't be going. Very, very annoyed since I've been telling everyone about this group for a couple years now!
Cover Photo



Free entry (all donations welcome)

Zombina and the skeletones *official*

Five deformed rock n' roll monsters from Liverpool, UK. Zombina and the Skeletones mix garage punk and girl-group pop with spooked out B-movie sonics. They've shared stages with Wednesday 13, The Misfits, The Damned, The Meteors, Kid Congo Powers, The Primitives, Shonen Knife and the Horrors - to name but a few, and have been invited to drag their blood spattered live show as far out as Finland, Sicily, Greece and the Czech republic!

-----
Gravedale High

Gravedale High, from Norwich, play kick ass horror-themed punk rock. They've performed alongside international horror-inspired acts such as The Misfits, Blitzkid, The Creepshow, The Meteors, The Brains and many others.

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Lupen Tooth

Fresh from the morgue, Bristol-based horrorpunk trio Lupen Tooth take a break from watching b-movies on VHS to sing songs about undertakers, werewolves and zombies.

Thursday, 25 September 2014

The Truth About Spring Heeled Jack -and "Spring Heeled Jack" by Zombina And The Skeletons


The Truth About Spring-Heeled Jack


The Truth About Spring-Heeled Jack
Terry Hooper-Scharf
Paperback (prose)
A4
53 Pages
Price: £7.00
Ships in 3–5 business days
The terror and mystery created by “Jack The Ripper” has been the subject of countless books, magazine articles as well as movies and TV documentaries. Ask anyone if they have ever heard of Jack The Ripper and it is doubtful anyone would respond with a “no idea.” 
By that same token, ask people who “Spring-heeled Jack” was and you would be lucky to find anyone who had ever heard of him. 
Spring-heeled Jack was the subject (loosely) of a film The Curse of the Wraydons (1946) and Dominic Keating also appeared as Spring Heeled Jack in the 2010 film Sherlock Holmes by The Asylum film company. The character has also featured in both American and British comic books and a number of books, for both children and adults. 
But the fact that the Springald held the country –not just London– in a grip of terror much longer that the Ripper did is all but forgotten except for some half-truths and fanciful theories. Now be prepared to read the full story of Spring Heeled Jack!


Erm, some "adult lyrics" in this one! But what they hey!

Bath Comic And sci Fi Weekend

The organisers have been in touch to say that this event IS cancelled.

Where's Mike Allwood when you need a good Bath comic event?