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Sunday, 25 February 2018

A Few Words On A Sunday While My Hip and Hand Allow It...no,it is NOT a song!

Above: no idea where it is from (if you know please tell me) but it is hilarious if you know the Carry On film history 
___________________________________________



I keep an eye on trends and that, luckily, doesn't mean a lot of physical exertion so that's good.  As I predicted when the whole tsunami of Comic Geek Chic started -it lasted so long and now the numbers have dwindled and the number of comic shops who catered and pandered to these people while being rude to their long time regulars, have dwindled.

I know comic shops are business but when you hear that customers of 5-15 years have books taken out of their standing orders because some hipster wants it that is very bad.  For the long term regular to then be told "We can't get it now but there are plenty of comics on the shelves!" that is more than very bad.  And shop owners hiking up prices by $10 two days after a book was released because "it's a hot book". Say no more. Despicable.

Comic shop owners who really do not care about their customers are now reaping the rewards of their actions.  The hipsters are onto other things now.

I subscribed to 20 You Tube comic channels owned by these Comic Geek Chic types. After 5 years only 1 remains and has slightly veered off of comics.  I have discussed this before and you'll get someone in their 30s or 40s who "used to read comics and thought I'd get back into it" and will buy from Ebay, marts, shops and then you can tell they are out of that phase....vinyl -that was really hot for five minutes and they jumped onto that.  Guess what?  Something else popped up -one went from comics to vinyl then a motorcycle (that was a classic mid-life crisis) and then....his You Tube channel vanished.

Toys -old were the ones people wanted.  Same sad reasons and they spent lots of money and did lots of videos and then...lost interest.  Dealers made a fortune but then looked for another new thing to sell.

We had channel after channel about old toys and I subscribed to 20 again on you Tube.  All gone after a couple years.  Raiding car boot sales and charity shops -early starts in the morning and  all the enthusiasm needed....lots of subscribers and people sending in gifts of old toys.  Then the effort was too much so an occasional Face Book posting on anything.

Funko Pops.  Massive craze but if you watch US You Tube channels you see that the big craze is gone -lots and lots of Pops and action figures reduced by 50-75% the normal price.

Oh, then we have the "Toy Hunters".  They use terms like "Going on a hunt" or "A team of us are going hunting" and "Let's hunt and see what we can scope in the wild" or "I scoped the item and pulled the trigger on it" (they bought it) and the hilarious "I'm going to show you my hunting haul" or "What I bagged in the wild"!

Look, you are men in your 30s who drive in expensive cars to toy shops to look for toys and then mess up shelves looking for your "prize" and -really, this is hilarious- they will literally have stomping fits because someone probably "bagged the last one" or the store does not have a particular figure. And goddam kids in toy stores -these hunters want to film their stalking but shop keeping SJW sonsabitches yack on about privacy or don't film customers.  Spending between $150-500 buying toys means you have too much money and when these people snap at their kids going near to their "trophies"....get help.

If you like action figures and want to collect them then that is fine.  I have action figures.  I never went on the hunt looking for a trophy or to scope any out in the wild before pulling the trigger on them and bagging the prize.  I just went into a shop, looked at what was on the shelves and paid for it then brought it home.  Oh...just what the hunters do (except I don't lead a team of skilled hunters).

It is what it is: buying and collecting toys.  It is also a declining field of interest and yet the collectors are asked to pay more.  No doubt the kids that were driven from stores by gangs of rather suspicious men with cameras will wait until they are in their 30s or 40s to venture back!

You see the same thing in wargaming where someone jumps back in "because I used to have these little soldiers when I was a kid" -spend a fortune buying, painting and putting them on shelves -even buying a small library of reference books and building 8' x 4' gaming tables.  All shown on videos. Yet to see one actually playing a game. Then their channels vanish.

Nostalgia is good for dealers (they won't buy your items for a quarter the price they sell them for though!).  Dealers and companies are the only ones make money because the schmuck wants to recapture their childhood memories or is looking for a new hobby and why not go for one that is very hip at the moment?

I may be a bit "sharpish" as my hip and leg are in pain but the point is this: people are always going to jump into gaming, comics or whatever when they are trendy.  And some 99% will simple vanish when they get bored (and find out only then that no one is buying at the prices they paid!)

I won't mention the name of the person involved as he was a much loved wargamer and is dead now.  However, about thirty years ago I stood by as this man, who had practically invented rule books, was told by someone who had just jumped into gaming (it was getting a bit popular again back then) and had not even gamed yet but amassed a 1000 point army, just how unstructured gaming rules were and that the rule book (which he waved)  was "a farce". "I wrote that book" was the response.  Other members refused to speak to the newcomer who went off in a sulk.

Those here today and gone tomorrow types come in waves and dealers make money from them.  If those dealers are wise they do not do this at the expense of pushing aside or scamming life long customers who have been involved with whatever for 30, 40, 50 or even 60 years. You see, without those specific "invested" customers businesses die. "I crapped on you to make a quick buck but now I respect you because I am desperate for your custom!" does not work.

Idiots at Marvel Comics say they do not care about readers who have invested in characters since 1963 because they want the young, hip and here for five minutes set...the company lose out. Believe me, if the rumours are correct then people at Disney which owns Marvel, have noticed and things are being discussed.

The long term reader or collector or gamer -these are the people that matter and some shop owners understand that these are the people who will introduce their hobby to younger family members  and that next generation is vitally important to any industry.

In France and Germany I see people -men and women- in their 20s and 30s collecting and learning more about comics from the pre-1990s. These are not the bagging, boarding and slabbing types looking for a huge financial investment (those videos on You Tube from US 'collectors' tend to make my skin crawl -especially when they make it clear they only know what is in the book because of a comic price guide.  They have never read the comic). These new comic fans in Germany and France are picking up old, sometimes battered old comics as well as ones in better condition.  They are getting into comics history.  I love them.  I am sure that they exist in the Netherlands, Belgium, Spain and elsewhere but I never get to see them is all!

Shops dealing with comics want to survive then they need to not just offer Marvel, Image, DC and Dark Horse but also Independents and, yes, even the Small Press. Pulling a face at that simply declares you are not interested in surviving as a business.

There was a point there somewhere but my hand has come out in solidarity with my leg and hip and are using the pain gag.  But think about it: the long term buyer with investment in whichever hobby is the most important for survival.


Comic Book Palace (Ep. 18)

Avengers: Unleashed Vol. 2: Secret Empire

This is a slim trade, aren't they all? But you look online you can get copies cheap enough -full price is waaaay too much for 131 pages (five I will explain further on why I do not include).
It says:

"Collecting Avengers (2016) #7-11.

"Doctor Doom: Avenger?! The impossible is real! Doom has turned to the light side in a fresh suit of armor as the Infamous Iron Man. And now he is about to take Shell-Head's place in the Avengers -or, to hear Victor tell it, they're joining him! But how will Earth's Mightiest Heroes react to one of its greatest villains joining their ranks?"

Someone asked whether I wanted a copy as they were finished with it.  I don't say "no" to free trades.  But I had seen and heard all the stuff about this title online.  I was not too impressed by the first collection: Kang War One which still seems a mess: 

http://hoopercomicart.blogspot.co.uk/2018/01/avengers-kang-war-onebeing-brutally.html

I am not a fan of the big gun toting Hercules.  He is the fecking Scion of Olympus and his weapon was a big feckin club -I'll accept the mace Marvel gave him when they started using him. But big gun -no. Can American comic readers not understand a character unless he has a gun?  Seriously.  "Nay, Captain, but tis a worthy foe! My weapons glance off as if I had but the power of a small girl!"  (1) he has ONE weapon. (2) "...I had but the power of a small child!" would be more apt  and (3) it isn't Hercules who "had but the power..." but his weapon.  It seems like a throw-away line for Ms Thor's come-back of her being a "girl" and thrashing him before -(1) she is currently god of thunder (I say nowt) so not a "girl". This was pure awkward and bad writing.

So Dr Doom, the new reformed guy turns up. Then we get the next bit of bad dialogue.  Captain asks where a certain place is that Doom cannot simply walk into.  Doom: "Why waste words when...." Next panel: "...We can simply arrive?"  Is that an Americanism because it is BAD.  "Why waste words telling you....when we can simply go there?" would have been better?

I took a deep breath, sat back and thought "start again".  So I did.  Ignoring those two pieces of dialogue. 

The first story I liked and the new Wasp, Nadia, geeking out over meeting the Dr Doom was well written.  "Avenger X" confused the crap out of me.  This was Cassandra -from the Gatherers??  Looked nothing like her and my mind must be faulty because I cannot recall her absorbing the powers of others....this is her...









I think they mean Cressida.  And this is that character....
See the very 'subtle' difference. 

What the feck do editors get paid for these days?  That mistake should have been spotted straight away (as well as that bad dialogue)?  Oh, Brevoort...Asst. Ed. Smith should have checked as mid-life crisis boy hasn't worked for years.

That writ, I have to say that it wasn't the most original story ever (there are very few of those anywhere!) but the characterisation and dialogue as well as how the villain is dealt with was well done.  

Which brings us to the solo Thor adventure  -why a solo Thor adventure in an issue of The Avengers, the character has her own title, right?   But go with the flow. Again, it is not an original story idea but readers have to realise that comics -like TV shows and movies- only have a certain number of stories and we accept that.  It is how the writer paces and uses that concept that matters and whether it looks and flows well when drawn. Here it was.  I enjoyed it.

What would have been issue #10 had me asking "WTF??" several times. I am guessing that this had something to do with the Secret Empire farce?  It was pointless.   See, in previous trades you would get the issue from the tie-in that explains what is going on.  This story just happened completely out of context with the rest of the book and I can see why I was advised "Don't read the issue 10 story!" I did. Disliked it immensely.

I'll put it this way.  You are reading the hefty Avengers Vs  X-Men trade and suddenly there has been inserted a 1965 Two Gun Kid comic after which it is Avengers Vs X-Men.  No explanation.  Just there.  That is what issue #10 was.  With the Ms Thor story you can read it and assume that Ms Thor had gotten to where she was during another adventure. So it flows. Not #10, though.

With #11 we get the Avengers finding Parker Industries is no more and there HQ in Parker Tower is a ruin.  The dialogue gives you some explanation so you do not have to go trawling the internet to find out "Why?".  Vision discusses immortality and its problems with Hercules and those scenes were quite fun.  The Wasp and Spider-Man scenes and snappy dialogue were excellent and had me smiling.  Cap ...who is now the Falcon again?...telling Ms Thor that he wants her to lead the Avengers had some good scenes and dialogue.

I really did not need the five pages of filler to see how Del Mundo's thumbnails look like splodges.

Apart from #10 this was a very enjoyable read. Bad editorial work (even excluding the dialogue problems and not spotting that the villain was called by the wrong name) since #10 definitely needed some context for someone picking it up to read. I will not be reading it again.  To be honest I cannot see why those You Tubers have literally screamed how totally and utterly and awfully SJW bad this series is. That has to be just to get attention because mummy isn't there for them. #s 7, 8, 9 & 11 were good reads and even the sub-plot of which Avenger Dr. Doom was checking and his reason -good stories.

The art is much, much better -even in #10.  The colour work is vibrant and what I would have liked to have seen as a youngster.  As comic reading veteran of ....uh, a "good while" (1963/64) it made a change from the "no lights on" dark art of a few years back that meant it was a struggle to see what the hell was going on.  This is as it should be: colourfully garbed heroes in light of day fighting the good fight. 

I will not object to Phil Noto's art as there were a couple "odd spots" but over-all it was okay and there was some very nice pages. Del Mundo - you will recall I did not really like his work on this book.  Loved it.  Normally with trades I speed read for review (after 40+ years that is just automatic), then read again paying more attention.  That's it.  Here I read the book a third time.

The main faults seem to be editorial.  The stories are what you would expect from Waid considering how long he has written comics. The art -lovely. I think the criticism proves you should always read-for-yourself and not listen to flamers or internet trolls.  If I enjoyed this something must be right and as I'm in a lot of pain at the moment and niggly as hell if something was bad I'd be screaming it.











It's The Year Of....

Saturday, 24 February 2018

Japan Weekend 2018 COSPLAY VIDEO

THIS IS KATSUCON 2018 COSPLAY MUSIC VIDEO VLOG ANIME COMIC CON NATIONAL ...

Hasbro Action Figures...or Eaglemoss?

I was asked which was the best to go for when it came to comic related figures.  It really depends on what you want.  I have an Eaglemoss Captain Britain on top my computer...
Now, I have a lot of 3.75 inch action figures though my two "holy grails" I have never found in the UK unless some crook wants to make a huge profit.  From the US the postage is well too high.

My grail figures that would complete my Avengers set.
Anyway, I used to keep some action figures on the desk or shelves but finding stands that are for these can be very expensive (dealers seem to sell these separate to the figure !).  So unless you want to do a lot of posing figures and photographing them I would suggest the Eaglemoss figures.  No articulation but nice solid bases -Captain Britain is the only one I have but the stand weight alone means these babies are not going to fall over if you breath on them!
And look what you can buy -Alien and Predator figures and if you are big into the Marvel movies....
Again, I don't own any of these but I think we can all see where my money would be spent!
Now, No...do you call these mini statues because they are not toys!  But there are the pretend Guardians of the Galaxy from the movies....
DC is covered as are The Walking Dead and Star Trek so you can check what's available here:https://shop.eaglemoss.com/





As I say, Hasbro figures I only have 3.75" -I think they are all Hasbro!-  Sadly, NOT the Giant Man figure (I have the 6" Legends but not big enough to look good with the 3.75).  The Titan size Ant Man has to substitute at the moment!
 Above: Marvel Legends Giant Man
Below: Titan Ant Man!

Hopefully the recent Toy Fair videos have given you some idea of what is or going to be out there. I certainly cannot afford to buy and review!

But the Eaglemoss figures are the ones you see on a lot of comic fans videos, standing on comic shelves.  So they look good. For posing -Hasbro or other brands.

Friday, 23 February 2018

Which Mega Post Has Been The Most Popular -It May Surprise You!

Interesting that the Sub-Mariner Mega Post beat the Avengers mega post -though both beat the Justice League and other mega posts.  The Atlas comics mega post got very high views but one mega post stands with TRIPLE the number of views of Sub-Mariner.

No, not the Beowulf or Samson posts that saw views soar. The Frankenstein post has had so many views I had to double then triple check the figures.

If only Mary Shelley was alive to enjoy the popularity and success of her character.  In 2018 the Frankenstein Monster seems as popular as ever!

Ahh. The Glorious Path Taken By Comic Book Writers and Artists!


Now there have been a lot of delayed  projects -such as Green Skies that should have been out in June 2014!

I have been concentrating -someone may have noticed- on trying to promote and sell my books. Not that anyone is buying.  But for those of you looking on as the very last of the generation of true Independent comic publishers die off, here is a lesson.

In today's "Comic poseur" scene mummy, daddy or some other extra income means the comic hipster will not have to worry about hitting hard times.  Since cartooning and comic strips/comics began the creators -and mainly the artists who, let's face it, have to do the bulk of the work that sells a book, have always been ripped off.  Underpaid.  Not paid or even outright cheated. If you know your comics history -about the industry and its publishers and creators, you will know that divorce, homelessness, alcoholism and even struggling to eat were not rarities.

There are people -comic creators- in the UK comic community (as there are in the US) who feel that there should be no creators rights.  I fought for that for a couple decades and to have these people say to my face that "the bosses know best" and we should just take what they give and shut up is galling to say the least. These people do not really care because they cling on to publishers and editors and brown-nose all day to get the scraps of work remaining.

I've seen over-worked and not paid comic artists pass out because they have not eaten. That problem I could sort out straight away with a meal.  Just what any decent person should do.  When three comic writers told me at a UK Comic Art Convention in the early 1990s that work they had done had been published but that the publisher -months later- still had not paid them I knew that publisher was at the event.  I met up with him and told him that the creators got paid that day or I was going to announce at the event and very publicly, that he had not paid and should be avoided if looking for work. The writers were all paid that day.

I have sorted out a lot of problems for creators over the years and sometimes been financially worse off afterwards. All done quietly. No praise sought or wanted because it was helping fellow creators who were being cheated.   I even got a few work that paid well -at Marvel UK and DC comics for instance not to mention Fleetway/IPC.

There are no pensions for comic creators and no medical insurance covering them. If you think I am joking read this:

http://comicsalliance.com/comic-book-creators-medical-care-charity-insurance-mantlo-sakai-washington-hero-initiativ/

If you are just in pure financial trouble homeless then relying on friends or family is the only option. Believe me, I've heard and seen it all, family tend to be the only option because those 'friends' drop and avoid you like a wet turd falling from the sky.  Once your friends get into the "big time" you are not really that significant -their boss and editor is and they will sing their praises and tittle-tattle to them about anything you might have said in private about them.  If they then fall on hard times it's "Hey, mate -how's it going? Not heard from you in a long time.  Know of any work going?" There are people out there reading that last bit and know exactly what I mean.

I could have gotten in with the beer guzzling, two faced hypocritical band.  Hey, the Undisputed Truth did warn us all about Smiling Faces back in 1971!

It is a story as old as comics and goes even further back in time -artists, either Fine artists, book illustrators and so on have always been abused because "all you do is draw" and if those people who were cheated stood up and complained they found their colleagues and 'friends' speaking out against them or they were just ignored.

That is the industry I entered and why my original intention was only to ever be a publisher because there you can make changes. I have written extensively outside of comics -county magazines, astronomy and a lot of other publications.  Here is an example -a country magazine is a very glossy, high profile (expensive) advertisements aimed at a specific area and cover price is high. The average payment for a two page feature can be as much as £25 and as low as £10 -and if you want a copy of the magazine for your files -you have to buy a copy. No freebies.

The reason payment is low is because publishers and editors know that there are a lot of writers out there desperate for work.  You can't complain because it is a private company and you know what you'll be paid and "it is work after all!"

TV work: I did a lot of this.  Creating concepts and ideas for quiz and game shows, drama and so on. Before deregulation of TV in the UK you had to work with a main network programme provider -I worked with a very well known TV person at Yorkshire TV.  Together we put forward (I have to take his word on his honesty on this) programme ideas.  One was a Carry On film weekend with programmes centre around the movie franchise.  Channel 4 rejected the idea.  A month later it announced a "Carry On Weekend".  I was told (I still have the letter) that "this happens all the time" so the (c) notice is ignored.

The BBC was no better -in fact it was the worst offender.

So, do the TV viewers care?  No.  Why should they -they get their soaps.  Should the magazine readers care? No -they get their magazines.  Should the comic readers care?  No -because they do not care so long as they get their Image, DC, Dark Horse and Marvel.  The, uh, 'clean' companies.

there are no #metoo or #timeforchange for writers and artists.  If comics continued for another 100 years artists and writers will continue to be in the same position. It is a day-to-day living and struggle unless you are lucky enough to have money or support to fall back on.

So is it different for me? No.  All the companies and events that took advantage of CBOs world wide audience do not wish to pay for adverts or support the site they do okay from. I was asked on one of my Yahoo groups how many of those who have their books reviewed and promoted here on CBO -as well as events- reciprocate.  I can tell you that the figure from 1997-2018 is ZERO.

Whether I can draw again and finish projects I have no idea.  I haven't drawn in well over 6 months and if you cannot hold a pencil or pen/brush.....

Being brutal, comic shops did not give a damn for Independent comics and called them "trash".  True, some were willing to stock and sell for free to see "how it goes" (which means the publisher got nothing) but now these same people bleat about their comic stores closing because no one is buying Marvel or DC any more like they used to -if they had hooked people on to Independent comics when they had the chance maybe they would have survived.  Diamond Distributor is a monopoly -do you think they care?

So my books ARE my living and when you sell zero you get zero to live on. This isn't a "sob sob Poor Terry" because I knew the industry I got into.  I knew that, come hard times, no one would be there to help and the desertion of comics 'friends' (even those I helped) happened a good while ago. What I am saying is that before you decide "I want to be a comic writer/artist!" and imagine all the money from that fantasy movie deal look at your options.  Being committed to breaking into comics...out of the hundreds who were so committed that I have known and met since 1977 just how many do you think are regularly working in comics or even still involved -and I am talking hundreds of people? That I know of 3-4 (semi regularly).

So, before you get pissed off at another Black Tower Comics post think about all of this.

Monday, 19 February 2018

Not A Comic. Not Flemish. Then What The Heck Is it?

I was asked whether I could identify tow comic strips today. The problem is that they were not in English and the person asking thought text was in Flemish.

Here are the 'comic strips'




Although sequential they are not from a comic strip but a calendar and the language is recognisible as Czech so it's from what we used to call the Czech Republica -since 2016 (I think) known as Czechia -the country appears regularly in stats.



The artist was Josef Lada and I quote Lambiek here:

Josef Lada was a Czech painter, illustrator and writer, and is considered one of the founding fathers of Czech comics. Born in the small village of Hrusice, he headed for Prague at the age of 14 to become an apprentice binder. He was a contributor to the satrical magazine Kariktatury and is best known for his illustrations for Jaroslav Hasek's World War I novel 'The Good Soldier Svjek'.

He made 540 sequential black-and-white illustrations in 1923, and added 212 color illustrations in 1953. He also wrote and illustrated the adventures of the talking black cat 'Mikes'. He furthermore painted landscapes and did costume designs for plays and films. The character Švejk had an asteroid named after him in 1995. A year later Josef Lada also had one named after him.

The below is Pražáci na aprovisaci (1917)



This is why I do this blog -finding new artists and creators but also making people aware of those no longer with us such as Lada.

Central PA ComicCon review....

Nerdzig bei der DeDeCo 2018 in Dresden

New York Toy Fair 2018 McFarlane walkthrough

Mylène Farmer - Je Te Rends Ton Amour (Clip Officiel / Official Music Vi...